Mr. Fix-it: Don Polito

Don Polito at workbench

Every couple months I need a fix and I head to Bellevue to see my guy.  No!  Nothing like that, I’m talking about mysterious hums and dropping volume, waning vacuum tubes and blown capacitors. Maintaining old guitar amplifiers is like having teenagers (I hear), or driving a Peugeot (ditto); I love them, but they cause me so much suffering!  Luckily, I know somebody who can hook me up.

Phil’s TV-Radio Service sits in an unassuming building on an otherwise residential side street in Bellevue.  In the big front room, crowded by the incoming patients, oscilloscopes, tube testers, frequency analyzers, repair manuals, and spare parts works Mr. Fix-it: Don Polito.

Phil's TV-Radio Service exterior

Phil’s TV-Radio Service, Bellevue

Don’s father (the eponymous Phil) opened the shop in 1954 and Don has been repairing electric gadgets since 1964. Stepping inside the shop, one sees the breadth of his domain: old console radios, turntables, amplifiers, televisions, compact disc players, boomboxes, and, occasionally, Don’s favorite thing to fix, organs.  I’m pretty sure I’ve seen toasters, blenders, and microwave ovens there too, but don’t quote me on that.

The shop is decorated with a treasure trove of old signed photographs, marketing materials for long-gone manufacturers, stray speakers and cables, and terrific hand-made signs for Don’s old engagements on “eminent organ”, solo and with The Velvetones.

Handmade posters advertising Don Polito's organ engagements

Posters from Don’s organ gigs, with and without The Velvetones

On my most recent visit, dropping off a sick Fender Twin Reverb, Don was fighting with a 1980s-era Zenith integrated stereo/turntable/tape deck whose spindle was failing and had developed an ugly buzz in the cartridge.  He wasted no time putting this loitering blogger to work, me holding the turntable platter up to the light while he figured out how to reconnect the spindle to the retraction mechanism.  The problem neatly solved, he moved on to the cartridge, tapping its housing with a screwdriver, searching for the cause of the noise, focused like a surgeon, listening for changes in the hiss for clues to the problem.

Handmade crystal radio with decorations

Uncle Sam Radio, crystal radio made by Don’s father

A couple years back, I had just seen Mellodrama: The Mellotron Movie (a great documentary film on the early mechanical/tape-based sampling keyboard) and I brought up Mellotrons the next time I was in the shop.  Don stopped what he was doing, his eyes lit up, and he reeled off some great stories about an array of pre-electronics: reverb units in open canisters of oil, keeping units at the right temperature, etc.

I would tell you to stop by and give Don your business if you had anything in need of repair, but when I suggested it Don explicitly told me “No–I don’t need any more business!”  So don’t do that.  But if you want to drop by and talk organs (human or musical), I’m sure Don would love to chat.

Assorted vacuum tubes in boxes

Nun of the Above: Corita Kent at The Warhol

Someday is Now: The Art of Corita Kent show at The Andy Warhol Museum, Pittsburgh

Someday is Now: The Art of Corita Kent at The Warhol

Radical nuns making religious pop art?  The grocery store across the street both inspiration and source material?  No need to tell us twice: the Orbit is there!  We may not have known it, but this was the show we’ve been waiting for this our entire lives and we got a first look on opening night.

Someday is Now: The Art of Corita Kent is up at The Andy Warhol Museum through April 19, and I cannot recommend it more.  It is the best Warhol Museum show this blogger has ever seen.  (Yes: that includes Diane Keaton’s clown painting collection.)

Sister Corita Kent lived, taught, and created art at the Immaculate Heart Community in Los Angeles in the 1950s and ’60s.  The lecture we attended mentioned that Sister Corita was fully booked with teaching and nun duties for much of the year and managed to do nearly all of her voluminous silk screen work in a very brief window between the end of classes in the late Spring and the start of Summer.

art instruction, Immaculate Heart Community

Nuns having fun: screen printing at Immaculate Heart Community

These periods of high production were often followed by cross-country summer road trips wherein the sisters would literally take their art to the people, traveling all the way to the East Coast, setting up roadside cheap art fairs at all points in between, wherever their station wagon landed.  Many of the surviving prints still have the tack marks to prove it.

The backstory is intriguing, but the art is fantastic.  It’s beautiful and clever, sacred and psychedelic, deeply meaningful and goofy.  My favorites are the silk screen pieces from the mid-60s where Sister Corita took familiar magazine advertising and product packaging, distorted, rearranged, and otherwise mutated it, and then usually combined it with Bible verses (you’ve got to get in close to read these) to turn the original message (often literally) on its head.

The color combinations are wild: often radically garish choices of fluorescent pinks and greens that seem like they shouldn’t work, but do.  The printing technique is really fascinating as well: words broken into multiple colors and bending text.  All this achieved in a low-tech, pre-Photoshop era by cutting, bending, and folding paper and then re-photographing to generate the required two-tone originals.

(My) photos don’t do justice to these fantastic pieces.  You need to get in close and read the fine print.  The show left me feeling incredibly awake and alive and inspired and envious.  Trips to Shur-Save haven’t been the same since.   Get yourself down to The Warhol while you still can.

Someday is Now: The Art of Corita Kent show at The Andy Warhol Museum, Pittsburgh

Someday is Now: The Art of Corita Kent at The Warhol

Let Me Tell You Somethin’

three stacked, crushed cars in a junkyard

Let me tell you somethin: I seen the whole thing.  I was there.  Not like em other jagoffs trying to say they saw this, they saw that.  Them’s all liars.  I know, cause I was the only one on a street.  Here’s what happened.

I’m takin Debbie to work that mornin and she starts yellin at me pull over, I gotta buy a lottery ticket.  I say Debbie, what’s a big deal?  She says it’s a lucky day, it’s Mario Lemieux’s birfday (she gets this from her phone) so she’s gotta play sixes.  I say Debbie, every week you gotta new lucky day you gotta play the lottery, how come they never hit?  She just tells me quick squawkin and pull over.  So I stop up at Little John’s, that quickie mart right by the bend goin up the hill.  I’m waitin in the car and Debbie gets aht to buy her lottery ticket.  I tell her Debbie, get me Yoohoo while yer in there.  I gotta cut back on the coffee, doctor’s orders.

So I’m waitin in the car, I got the radio on, and like I say I’m lookin rond and ere ain’t nobody aht.  I don’t know if yinz remember that mornin, but it was rainin and it was cold, ain’t nobody wanted to be aht in at mess.  Debbie’s takin a while.  I’m thinkin Debbie, whatchu doin in ere?  You makin it with Apu?

Then all the sudden I seen in my rearview mirror this big ass pickup truck come barrelin up the hill.  Now, I’m not talkin no Silverado, no Ram.  This is gotta be a Ford F-650–that one looks like a semi cab.  You remember Plaxico Burress used to drive one of those?  My buddy Ronny calls me one day and says hey, you want to go check aht Plaxico’s truck.  I say Ronny, how we gonna find Plaxico’s truck?  He says he lives down there on Pig Island–Washington’s Landin they call it now, cause George Washington once took a crap there or somethin.  A bunch of Stillers all got condos there, he says.  This truck is so big, Plaxico can’t park it in his garage so you can go see it right on the street.  I say O.K.

So we head dahn there and we can’t find his truck nowheres.  They only got one road and a couple dozen haases so it’s not like we missed it.  I say Ronny, he’s probably aht havin dinner or somethin.  The man’s gotta eat, keep up his energy.  He’s gotta play Baltimore on Sunday.  You know those bastards are a bunch a criminals.  Ronny says, hey, let’s go get a beer and we’ll see if he comes back.  They got this little bar there called The Troll on acconta it’s under the bridge.  We go in ere and have a couple beers, maybe some nachos, and Ronny’s gettin on pretty good with the barmaid.  Now, I can’t do that stuff no more, Debbie’s got my balls locked away pretty good.  Ronny and I come back from Ricky’s bachelor party aht at Climax’s and Debbie just abaht tore me a new one.  She says you better not be bringin no stripper disease in the haas.  I says Debbie, they’re dancers and ere ain’t no diseases goin rond.  I says what disease do you get from dancin?  I says did Michael Jackson die from dance disease?  I don’t think so.  She says I can smell it on you.  You just better watch what yinz are doin.

Anyway, Ronny’s coochie-cooin with the bartender so I’m lookin aht the window and ere it is.  I say Ronny, we gotta go.  He says what’s a big hurry, me and Becky here are havin a nice conversation.  I say Ronny, Plax’s truck is back.  So we take off (remind me to ask Ronny if ever got that girl’s phone number) and let me tell you, this thing is the biggest meanest pickup truck yinz’re ever gonna see.  The whole thing is jet black and it’s got these big chrome exhaust pipes runnin up like a big Mack.  You ever see that movie where Dennis Weaver’s gettin chased dahn the highway by an evil truck?  It looked like at.  So wouldn’t you know, we’re standin there lookin at the truck and who comes aht the door of his haas but the man himself.  He says whatchu guys lookin for?  We tell him Plax, we heard abaht your truck and we wanted to see it for ourselves.  We tell him this thing is awesome!  Turns aht the guy is real nice.  He comes dahn, he shakes are hands, he even opens up the cab and shows us what it’s like up ere in the captain’s seat.

Now, where was I?  Oh yeah, so this monster truck-drivin sonofabitch thinks he’s Rusty Wallace comin up 18th Street right at me.  First thing I think is if this bastard clips me, I’m screwed.  Insurance company sends you that new card in the mail before you even pay, so you start thinkin that you don’t hafta.  At’s how they gitchu.  It’s like them deals where you got a card and if you buy ten buffets you get the next one free.  I don’t know nobody who ever got that free buffet.  You’re gonna lose yer card or the place’ll go aht a business or somethin.  That happened a me with that CiCi’s Pizza and Old Country Buffet’s too.  It’s goofy.  All I need is Debbie yellin at my dead body because I missed the insurance payment.

At this very moment Debbie manages to pop aht a Little John’s and she’s jumpin up and dahn, she’s wavin her arms, she’s yellin somethin at me.  I can’t hear a damn thing.  Last week she got back in the car all giddy too.  I says Debbie, why you laughin like a schoolgirl?  She says they got this new lottery game with the gronhog.  I says did you win it?  She says no, I didn’t win, I just like this little guy, ain’t he cute?  I says I wasted ten minutes aht here waitin so you could pay money to see a cute gronhog picture?  I gotta be crazy.  I shoulda had my head looked at.  When I tell Ronny this, he’s gonna start tellin me everything we shoulda done with at dollar.  You coulda give it to a dancer, you coulda played four games on Cherry Master’s, you coulda got a burger on a dollar menu.  Instead, you and me are sittin in a car lookin at a tiny picture of a gronhog.  Turns aht this time Debbie really did hit the instant winner–twenty bucks or somethin.  The way she was carryin on you’d’a think we won the Super Bowl.

Like I was sayin, Debbie yellin and screamin musta spooked are friend in the death machine on acconta right at that second he starts losin control of that big truck, goin into a skid and headed right at us.  I start yellin Debbie, look aht!  Get your ass dahn!  I see that Yoohoo bottle drop ahta Debbie’s hand and splatter on the sidewalk and I tell you for one split second all I could think was God dammit now I gotta go back in at store get more Yoohoo.  But I come to my senses and duck, and let me tell you it was just in time.  That big Ford rolled a couple times, made a sond I’ll never forget as long I live.  The side of that truck is scrapin along the road and it sonds like Eddie van Halen on some kinda psycho acid trip freakin aht durin a thunder storm.  Somehow it skips on somethin and flips up in the air and lucky it did too.  It was headed straight at me and it woulda been goodnight Irene for yers truly.  I’m sure Debbie had what you call mixed emotions, like now who’s gonna fix the commode?  But also hey, I think Sidney Crosby’s still single.  Maybe he likes an older lady who can take care of him?  As it turns aht, joke’s on her–she’s stuck with me for a little longer.

Why is that?  I’m glad you asked.  That flyin truck caught just enough air to hit my Buick up high, takin the whole roof clean off just like my nephew Jimmy who eats the icin right off his cake and leaves the rest.  Whatcu gonna do with a piece a cake and no icin on it?  Don’t nobody want at.  I tell my sister Sheila, we should get Jimmy a little bowla icin so we don’t have to waste a cake.  She says yer gonna put nine candles in a bowla icin?  And he’s gonna blow that aht for his birfday?  What’s at gonna look like?  I say Sheila, excuse my French but I don’t give a flyin fig what it looks like.  It looks to me like we ain’t payin Giant Iggle’s to throw aht no uneaten birfday cake.

So I’m croched dahn across a front seat, I got my eyes closed, and suddenly I start feelin all this cold air and rain comin dahn.  It’s all quiet now and I gotta tell you I don’t know if I’m alive or I’m up in Heaven.  I always figured Heaven like in the movies where ere’s clouds and some hot lady angels playin harps and bringin you beers in gold mugs and stuff so I was a little suspicious.  Then I hear Debbie yellin at me and I know I’m not in Heaven.  I say Debbie, I’m OK I think.  I move a little bit and I got broken window glass all over me.  I sit up and I get jabbed in places I didn’t know I had.  If you’d a told me six months ago yinz’re gonna get your pecker caught on yer windshield I’d a told you jump in a lake, but it turned aht that way, didn’t it.

Well, that’s abaht it.  The ambulance come and get me, but I just got some cuts from the glass and the hospital let me aht that night.  They got a nurse named Clarise workin the sixth floor at Presbie that can take my blood pressure any time she likes, if you know what I mean.  I’m tellin Clarise she should consider dancin at Climax’s when don’t you know Debbie comes walkin in the door.  That didn’t go dahn too good, but I told her I was still on the Percosets, I don’t know what I’m sayin.  I had to pretend I was high on drugs a whole ride home.  I’m sayin the sky is purple and lookit that big spider and crap like at.

I gotta say everything worked aht pretty good.  The truck’s insurance bought Debbie and me a new car and Ronny’s got this thing worked aht for the bar where he says hey aren’t you the guy from that goofy accident?  And then I tell the story and somebody’ll buy us a drink.  Oh, you want to know abaht that jagoff truck driver?  He wasn’t so lucky.  He didn’t make it.  He ain’t no Plaxico Burress, neither.

Un-Graffiti

"No Dogs!" painted on side of small factory in Millvale

“No Dogs!”, Millvale

If there’s anything that watching television has taught us, it’s that serial killers are everywhere. The Pacific Northwest, the beaches of Miami, Belfast, 1950’s London, you name it.  Hell, Chloe Sevigny turned up scads of them right here in Pittsburgh–imagine if she could have finished the season!

We street bloggers can learn a lot from the fictional hunting of these seemingly very normal monsters: trust no one, collect as much material evidence as possible, we all need to take a long look at our own mothers, and mainly that we’re always looking for patterns.

When The Orbit photography staff started going through their deep back-catalog of photos, one such interesting pattern emerged.  Photos of places that had all the hallmarks of graffiti: the crude, quickly-executed messaging, raw emotion, paint applied directly to wall surfaces.  But these weren’t graffiti in the typical sense; they all appeared to be committed by the owners of the buildings, too in-a-hurry or just too cheap to have a sign created, instead scrawling the messages directly on their own property.  We’re calling these “un-graffiti“.

"No Parking Open-Pantry Customer Only" painted on wall in Lincoln

“No Parking Open-Pantry Customer Only”, Lincoln

Not only were there no non-customers parking at the Open-Pantry, there were no customers, there was no open business, and there were no human beings anywhere to be seen for blocks around this former convenience store in Lincoln.

"PAULs" letters on side of building in New Kensington, PA

“PAULs”, New Kensington

PAULs is a little different in that the medium isn’t paint, but rather recycled letters from (likely) commercial signage, fixed to plywood.  So maybe this is more like “un-street art”, but I think it counts.

"Wrap Your Garbage" painted on side of building in Lawrenceville

“Wrap Your Garbage”, Lawrenceville

This message obviously predates some heavy-duty rewiring of a commercial building on Butler Street.  On this day there was no problem with unwrapped garbage.

"Quit Paintin...... Dumb Shit on Garage" painted on garage door in Bloomfield

“Quit Paintin…… Dumb Shit on Garage”, Bloomfield

This one is the mother of all un-graffitis: a homeowner’s desperate plea/demand for the scofflaws of his or her Bloomfield neighborhood to cease and desist their assault on this small cinderblock garage.  The request seems to have gone unheeded.

Update: since this photo was taken the entire garage was repainted a deep blue and I don’t recollect any new tags on it (yet).

Flowers in February

Pop des Fleurs test installation, Arsenal Park, Pittsburgh

Pop des Fleurs test installation, Arsenal Park, Pittsburgh

On this grayest of days, in the midst of the most miserable of months, even the hardest of core ice-in-his-veins bloggers is tempted to just stay holed-up inside with his hot coffee, British crime dramas, and cauldron of thick stew.

But no!  Not with beautiful flowers blooming a mere two blocks from Chez Orbit.  Flowers?  In February?  In Pittsburgh?  Indeed!  Possibly (or maybe not) coinciding with this most contrived of holidays, the miracle workers of the Fiberarts Guild of Pittsburgh have created their first test installation of the Pop des Fleurs project at Arsenal Park, in Lawrenceville.

Pop des Fleurs detail

Pop des Fleurs detail

The Fiberarts Guild were the masterminds behind 2013’s incredible Knit the Bridge project which brought together tons of volunteer knitters of all types from all over the county to ultimately cover the Andy Warhol (nee 7th Street) Bridge in knit and crocheted panels.

Pop des Fleurs has similar goal of taking fiber arts to public spaces, but with the very deliberate timing of bringing bright color to the outdoors in deep bleak winter.  The project team is looking for makers to create the flowers either on their own or in a number of public workshops and events.

The test installation will be up for just three more weeks (through March 8).  Find a cold, snowy day and get your keister over to the park for a blast of magic.

Pop des Fleurs with American flag

Old Glory

 

The Chewing Gum Graffiti of Bigelow Blvd.

Chewing gum graffiti reading "Matson"

“Matson”

The intrepid cityscape blogger walks everywhere, even if he or she is just getting started in this game.  There’s just no other way to have one’s ear to the ground without keeping his or her feet on the ground (or something like that).

The walk from Lawrenceville to Oakland usually passes through Bloomfield, by way of the Millvale Street Bridge, but on the alternate route up and over the Bloomfield Bridge one gets to pass through the long stretch of Bigelow Blvd. at the northwest corner of Oakland: Zarra’s Italian restaurant, some new hotel, and The Royal York apartments (former home of Lord and Lady Lagrosa).

Out in front of The Royal York stands an old stone wall, hip high, with a curious assortment of graffiti, executed in chewing gum.  I’ve been following these expressions for the last several years.

There are a couple really interesting things about this particular strain of graffiti.  For one, it’s a really slow burn: it plays out over weeks, one stretch of gum at a time, rather than the more immediate gratification of spray paint “bombers” who get in and get out (seemingly) without time.  Second, what is this (gender neutral) guy going after?  Matson?  Who the hell is Matson?

Chewing gum graffiti reading "Canandaigua"

“Canandaigua”

Canandaigua?  I can Google with the best of them, and that particular search term turns up a small town in the Finger Lakes region of New York state, not far from Rochester.  The assailant’s home turf?  It seems like a possibility.  I like my home town just fine, but you’ll struggle to find me spelling out “Blacksburg” along any public surfaces, let along in chewing gum.

Chewing gum graffiti reading "Go Bills"

“Go Bills”

Chewing gum graffiti reading "Go 'Cuse"

This would ultimately read “Go ‘Cuse”

Go Bills and Go ‘Cuse.  Finally something to work with.  Here, we’ve either got somebody who is crazy about the legislative process or a big fan of western New York state college/professional athletics.  Now, I can’t cotton to any version of the Buffalo Bills since their horrendous move to the red fielded, aerodynamic buffalo, but I empathize with their haven’t-been-good-since-the-Reagan years, astroturf-enduring fan base.  Hell, maybe they could go north and win a Grey Cup, like Baltimore.  If your team strategy is exporting missionaries to Steelers country with cases of Doublemint, hats off to you.

Buffalo Bills old logo

Vastly superior old Buffalo Bills “bison” image

Dead Mall: Century III

Century III shopping mall common area with empty kiosk and candy machines

Century III Mall: from dust to dust

The “dead mall” phenomenon is certainly not anything unique to Pittsburgh.  It’s been documented in sites like deadmalls.com and articles like a recent New York Times piece on “the economics and nostalgia of dead malls.”  For those of us old enough to remember when the local shopping mall was the predator, not the prey, it’s almost inconceivable that these retail-draining, downtown-killing behemoths could ever be ousted, but whether it be the Internet or competition cannibalizing their own, it’s for real, and it’s happening everywhere.

The Century III Mall, located in the borough of West Mifflin, in the southeast suburbs of Pittsburgh, is not technically dead.  It is, in fact, still open for business, with anchor tenants and a relatively clean and cared-for interior.  It maintains three anchor tenants (with Sears having recently pulled-out), a two-restaurant food court, and just enough open businesses to think they may draw a crowd on weekends and the run-up to Christmas.

That said, it’s probably only a matter of time.  The mall is supposedly only 40% occupied, down from 80% ten years ago, and walking through on a recent Friday afternoon there were next to no customers in any of the remaining stores.  The clerk at the jewelry kiosk was clearly asleep.

Century III Mall empty storefront detail

Century III: empty storefront detail

Century III Mall empty storefront detail

Century III: empty storefront detail

Century III does have a uniquely Pittsburgh backstory, though, connected to the steel industry right at the end of its reign on the region’s economy.  The Wikipedia article on the mall summarizes well:

The name Century III was conceived at the time of the nation’s Bicentennial, making light of the time at hand – the advent of America’s third century. When the mall opened in 1979, it was the third largest enclosed shopping center in the world. The site is a recycled former U.S. Steel industrial area, a huge slag pile once known as Brown’s Dump. Slag, a waste product of steel making, had for years been transported by rail cars from the mills of Pittsburgh to this once remote valley.

Aerial photo of former slag heap "Brown's Dump"

“Brown’s Dump” (no snickering), pre-mall

This transformation of the ultimate brownfield–a steel industry slag heap–into a bright and shiny shopping mecca must have made business section headlines all over the place.  But its (seemingly inevitable) demise at this point is now a sad ashes-to-ashes, dust-to-dust, slag-to-slag parable of retail in the twenty-first century.  It’s unlikely this particular heap will last the sixty-some years it would take for it to reach Century IV.

Blog author reflected in empty mall mirrors

Century Selfiii: the author, fractured and alone at the mall

Allegheny Cemetery: The Shark Grave

Shark grave marker, Allegheny Cemetery, Pittsburgh

Lester C. Madden: Korean War veteran, Jaws fanatic

Allegheny Cemetery is as vast as the largest of Pittsburgh’s city neighborhoods, occupying some three hundred acres.  There are well over a hundred thousand permanent residents on site, some going back to the French and Indian War.  These include titans of industry, mayors and congressmen, silent film actress Lillian Russell, baseball great Josh Gibson, and the father of popular music, Stephen Foster.  With any luck, The Orbit will get to all these folks at some point in future.

Possums, squirrels, field mice, and scores of deer scurry about when the rare visitor is encountered.  Thousands of blackbirds haunt its treetops, moving in coordinated squadrons.  Its steep hillsides, dramatic views, and gentle sweeping passes rival any of the city’s great parks, but it’s rare to encounter even a single other living human, making it unique for its solitude.

As one may imagine, it also has many curiosities.  One of the most interesting (and out-of-place) is “the Shark Grave” of one Lester C. Madden (1931-1983).  I won’t pretend that I did any more digging than a Google search, which merely turned up the two facts that Mr. Madden was a veteran of the Korean War, and that indeed, he was a great fan of the 1975 blockbuster shark thriller Jaws. So much so, apparently, that he chose to spend his post-mortal coil eternity under a headstone in that film’s most indelible, terrifying image.  For you, Lester C. Madden, in the words of Jaws‘ old sea dog character Quint, “And so never more shall we see you again,” but we’ll enjoy your marker for a very, very long time.

Movie poster for the 1975 shark thriller "Jaws"

Movie poster for the 1975 shark thriller “Jaws”

UPDATE (3/2/2015): Mere days after this post was originally published, a suspiciously similar image appeared spray-painted on the wall of a Bloomfield garage.  Coincidence?

Graffiti on garage wall similar to the "Jaws" movie poster

Jaws graffiti, Bloomfield

UPDATE (5/3/2015): Even more new(ish) Jaws graffiti, this time wheat-pasted in Garfield.  What’s going on around here?

wheat paste graffiti of Jaws

Jaws III: Garfield

Ghost Houses: East Liberty

Ghost houst: East Liberty

Ghost house: East Liberty

Ghost house: the imprinted silhouette of a structure that is no longer there on one that is.  They’re the last remnants of a structure that has been banished from this earth and they speak to the current property owner’s neglect for updating to hide what many would consider a cosmetic blemish.  The alternate explanation being that they may be a very reverent way to honor the former structure.  It is impossible to know the intent.

Pittsburgh has a lot of these, owing to the city’s history of many close-quartered row houses and houses directly abutting industry.  That, coupled with the massive loss of population in the 1970s and ’80s that left lots of vacant, derelict properties that were ultimately razed.

The ghost house photographed above is particularly amazing.  It’s right across the street from The Home Depot in East Liberty and makes a perfect outline of the former house, including front and rear porches, against the off-white painted brick wall of a much larger building.  The addition of the lush green weedy grass (this photo taken in summer) makes it all the more unreal

Ghost house: East Liberty

Ghost house: East Liberty

This is another one, also in East Liberty, with a weird variant on the theme.  In this case, the former house’s fireplaces–including the fake stone work on the first floor fireplace–and plaster walls have been preserved in the exterior wall of the still-standing house next door.  It boggles the mind that someone would tear down an entire house, and yet leave pieces of the razed structure embedded in the house next door.  Or maybe it’s structurally damaging to pry out something as integral as fireplace and chimney from abutting houses?  Either way, the outcome is strange, magical, and beautiful.

The Toynbee Tiles of Smithfield Street

Toynbee tile, Smithfield Street, Pittsburgh

It doesn’t get much more “street art” than the mystery “Toynbee Tiles” that have appeared embedded in the macadam of city streets throughout the country (and the world!) for the last several decades.  They’ve been tracked pretty thoroughly and their story and the search for their creator was spellbindingly told in the terrific documentary film Resurrect Dead (2011).

We don’t have the kind of quantity that exist in Philadelphia or Baltimore, but Pittsburgh still has a bunch.  Smithfield Street (downtown) is the best spot to collectively see a run of the local ones, all of which are photographed here.  There’s approximately one on each block from Boulevard of the Allies to Sixth Street.

Toynbee tile, Smithfield Street, Pittsburgh

Toynbee tile, Smithfield Street, Pittsburgh

Toynbee tile, Smithfield Street, Pittsburgh

Toynbee tile, Smithfield Street, Pittsburgh