That auspicious message, artfully paint-penned to the cut lid of a large-size steel can, is nailed to a wooden utility pole on South Aiken Ave. in Friendship. Immediately above it appears one half of another can lid, cocked upright, suggesting a single bunny ear–its mate either removed after-the-fact or just never made it to the pole the first time.
However nutty this inscription might seem, little devils are absolutely on the loose in the greater East End. And while pious Christians worry about getting right with God or facing Lucifer’s pitchfork in the keister for all eternity, the city’s devils clearly have their own concerns to stress over. Indeed, the red one appears on a couple different poles both broken-hearted and teary-eyed.
She’s gone were the only two words Messrs. Oates and Hall really needed as shorthand to heartbreak–that, and close falsetto harmony over a slinky Fender Rhodes groove. Here, the simple message is a clue to the devil’s distress (above).
A cat-like devil has an inverted pink heart for a nose and a topsy-turvy screwed-up mouth (below, top). Those sad eyes may say just as much with no words at all. There’s one more teary-eyed devil, this time with cupid’s arrows literally piercing his visible heart (below, middle).
I try momma… implores a blue devil, rendered in stark silhouette and levitating an electric martini with one hand, the other raised in salutation (above). A different pole devil clutches the circle-A anarchy flag while waving to friends (below)–no doubt shopping for bargain Clancy’s chips at the nearby Aldi.
This same common imagery of devils, hearts, anarchy, and martini glasses showed up a couple times in our first story on tin can pole art earlier this year. These were clearly no coincidence as the themes get even more of a workout this time around.
Somebody needs to get this guy into therapy! Or maybe we all just need to be better friends to the devils we know. Whatever it is, she’s gone and the plea to appease momma aren’t the only cries for help on the city’s telephone poles.
So lost…pray for me, Mom, I’m down reads a Garfield alley two-fer (above); the simple message Struggle, along with a fire-dancing, heart-balancing devil, turns up on a nice, rust patina’d single-color piece in Shadyside (below).While that’s a lot of devils clinging to East End telephone poles, they’re far from the only specimens in this tin can pole art roundup. We also spotted a number of other pieces with the same stylistic DNA as the devil-doer dealt–we’re talking about the tell-tale cryptic calligraphy, hearts, flowers, martinis, and anarchy.
BUT…[yes, there’s always a big but] there are some outliers in the collection, too. We’ve seen the swirling, psychedelic television/VCR combo scrawled on all sorts of walls and dumpsters, as well as turned into back-of-sign decals. But this nice, two-color paint can lid outside The Glitterbox Theater (below) feels like a giant leap forward–even if the perpetrator still can’t get his or her mind off the TV.While asking one’s mother for her prayers may or may not be common practice, doing so via painted kitchen tool on side-street telephone pole seems an especially unlikely way to share one’s feelings.
As if parenting weren’t difficult enough, kids are always coming up with new ways to communicate. First SnapChat, now GreatChee. “How’s our youth doing, honey?” We imagine a clueless Dad asking, “Why, not so good,” the response from Mom, “Haven’t you checked East Liberty for cheese graters?”
There are also a couple more of these giant, five-gallon driveway sealant drum lids, tagged-up and screwed-into poles/trees along Spring Hill city steps. The pair clearly begs for a deeper investigation of the neighborhood’s walkways as we’re guessing these aren’t the only two out there.
Finally, a couple pieces that are absolutely metal and pole art, but don’t have their material origin in discarded soup cans. They’re a little off-topic, but we’re not going to sit on these waiting for a collection of stray non-tin can-but-still-metal pole art.
The triptych of embossed blank verse into sheet metal that hangs on a Harriet Street utility pole (below, top) gets high marks for its innovation in the genre, but the execution feels a little, you know, “smoke a little dope, skip a little rope”… but maybe this blogger just doesn’t get it, man.
Similarly, A boy from Frankford… (below, bottom) really feels like somebody who doesn’t know what he’s trying to do. Then again, I guess he says it right there: like anyone in the tin can pole art game, this “boy” is just trying to find his way.
Thanks to Susan Peake for tipping us off to a number of the Friendship pieces and co-assistant cub reporter Lee Floyd for his work in Shadyside.
 Thank you, Chris Caldwell.
 Greater Spring Hill: if you spot more of these, let us know!