Losing One’s Mind: A Scene Report from Art All Night 2023

dollhouse covered with large collection of decorations
Sometimes a picture may be worth even more than a thousand words. “I Lost My Mind” (detail) by Erin Harper was included in Art All Night 2023

There will be time to murder and create. The words are painted and collaged onto a set of five entrance steps to an elaborately over-the-top front porch. The three-story, Victorian-style dollhouse is covered with a blitzkrieg of … everything. Small toys, buttons, shells, bottle caps, and other found objects have been hot-glued to its surfaces along with a loose collage of magazine cuttings, product packaging, and patterned prints. The decoration is not limited to the exterior of the house. No, the walls and floor of each interior room are decked-out, each in a different over-the-top theme.

The art piece, titled I Lost My Mind, is by Erin Harper. One hopes Ms. Harper was speaking metaphorically of both the losing of minds and murder, but she certainly found time to create. It was perhaps the most striking work at last weekend’s Art All Night, this year again at 31st Street Studios in the Strip District.

dollhouse covered with large collection of decorations
If you have to make time for just one … “I Lost My Mind,” Erin Harper (detail)

Let’s get something straight: there were boobs—lots of them—wangs too. And yes, there was at least one hoo-ha. In addition to the requisite nudes and soft-porn, other Art All Night perennial genres included sports art, paint-splattered baby dolls, skip-a-little-rope, smoke-a-little-dope doobie visions, skulls, skeletons, and zombies, visual puns, and lots and lots of renditions of the downtown Pittsburgh skyline. This being the first Art All Night since the Dobbs decision came down, women’s rights and body autonomy was an important topical issue.

painting of three lizard people with human in net bag
The Sleestack came back. “Slimy,” Don Strange

These specialties are not the sum of the artwork included at Art All Night. Despite the focus of this piece, know that Art All Night also features landscapes in oil, portrait paintings, photography, ceramics, elaborate sculpture, delicate craft, terrific kids art, and all the rest. The event, of course, is so much more than paintings hung on plywood walls—the mass of people out-and-about, kids going nuts on cardboard, performance art, the drum circle under the 31st Street Bridge.

But it is this collision of the sublime, along with the ridiculous and the mundane that makes Art All Night so special. And what is most thrilling is that these individual bizarre expressions—created as jokes or under the influence of hallucinogens or mental health issues as they may—have an outlet for public exhibition.

crude painting of woman in clown makeup and rainbow outfit
What the heck, man? “Brittany in a Sketchy Atlantic City Hotel,” Joseph Heckmann

I don’t know if there’s a gallery out there that would show Joseph Heckmann’s Brittany in a Sketchy Atlantic City Hotel, but I’m sure glad I got to see it. What was Brittany doing in Atlantic City and why is she dressed like a clown headed to aerobics? Does she really have a giant tattoo of another clown on her left leg? I want answers, sure, but Heckmann’s acrylic painting gives us that great gift of wonder—not just about the subject of the artwork, but about its creator too.

painting of creature with two faces and Mickey Mouse ears holding both a skull and a rainbow
A whole different rainbow connection. “Death, Division, and the Iconography of Hope,” Adam Greene

That is Art All Night’s great gift to the world—both to its event goers and its art contributors. It continues, 26 year on, to be a safe space of free expression for every kind of any person to do what they want to do and share it with everyone else. Hats off, yet again, to the fantastic crew that manages to pull this genie out of a hat year after year.

painting of creature with fish body and human legs
If chickens can have fingers, fish can have legs … and perform on a Vaudeville stage. “Legs,” Casey Welsby
psychedelic painting with lava flow, monsters, disembodied eyeballs, and an enormous cigarette
Rope was skipped here. “Path to Pacaya,” Megan D’Jovin
painting of downtown Pittsburgh as fantasy land
Black and gold and emerald green. “OZ Pgh,” Tara Lee Fedonni
painting of nun with a popsicle
Nun havin’ fun. “Popsicle Nun,” Leah O’Shea
painting of crucified nun with Bible verses
A nun not havin’ so much fun. “The Scorned Nun,” Faith M.
artwork made from colored moss
You moss remember this. “I’ve Got You Covered,” Angie Monk
crude painting of Tom Brady in suit with devil horns and wings
Tom Brady: “known cheater,” artistic muse. “GOAT 666,” The Artiste Reno
crude painting of creature on 2x4 board
Baby on board. untitled, Eileen Cousins
painting of muppet character Bert with alien-like figure, both bleeding
Ernie’s got a brand new bag. “Existence is Futile,” John Rogers
artwork of blue jeans under glass with message "In case of emergency, break glass"
Big pants to fill. “In Case of Emergency Break Glass,” Taylor Atkins
artwork of two women dancing with robots
Robot dance party. Unknown (journalism fail!)
artwork of bloody bathroom sink and mirror as scene of apparent suicide
Red wave. “The Wave Returns to the Ocean,” Jenna McDermot
mixed media painting/assemblage of blue-haired girl looking like a zombie
Zombified and skeletized. “Speechless,” Brenda Vernon
painting of woman as half live human, half skeleton
Flesh and bones. untitled, Lindsay Tate
painting of dumpster on fire
Fire in the hole. “It’s Fine,” Crystal Berry
painting of busy street scene with skeletons in foreground
Down at the tube station at Midnight. “Wood Street T Station,” Brendan Donovan

Art All Night 2019: A Roundup with Reflections on 22

artists from Creative Citizens Studios, “Pittsburgh,” (detail) mixed media

There she is: perhaps the most famous character the Brothers Grimm brought to world. Most of us came to her doe-eyed, perfectly-behaved acquaintance care of Walt Disney Studio’s classic animated film.

Only here the princess is no angel. She’s accessorized in rock-and-roll sunglasses and huffing a cloud of gray smoke through a makeshift pipe. It’s a scene that would leave Cheech and/or Chong gasping for fresh air. The crudely-painted artwork is titled Snow White Smoking Weed from an Apple.

lildoodoobutt, “Snow White Smoking Weed from an Apple”

Through the years, we’ve seen Art All Night grow up. We were there when the very literal all-night, anything-goes community event masquerading as art show learned to crawl, built its first set of plywood S panels, and went from a four-month planning cycle to an incredibly-efficient four-week execution. [Full disclosure: this author was neck-deep in volunteering for Art All Night for at least ten years; this year he just pulled a late-night, keep-your-eyes-open shift.]

So it is with strange comfort that we see this onetime oddball event grow up to be the same kind of goofball grass-roots institution we might have hoped for. The longevity of this all-volunteer event–last weekend was its 22nd yearly happening–and the continued commitment to no jury / no fee / no censorship is about as resolutely pure and accurate as one could hope from an organizational constitution.

Paul Feight, “4 Nudes Walking with Koi fish,” acrylic on canvas

Alexander Sands, “Diablo Blanco,” acrylic on canvas

There are a few other nos we could tack onto the Art All Night credo: no curation, no restraint, and no questions asked. These are, of course, 100% in the spirit of the event and give it a great I don’t need your rulesstick it to the man vibe–but that can present its own set of challenges for both participant and spectator.

Like being the introvert at a raucous New Year’s Eve gala or a vegetarian at a pig roast, the more subtle artworks are absolutely invited and welcome to be there, but may have a hard time feeling like they came to the right party.

Petey Miceli, “The Red Death,” acrylic on canvas

Exhibition at Art All Night favors big and loud, jokey and profane–that’s just the reality of an environment where the hanging is a shotgun blast of random collisions on dull fiberboard. There’s no way a sensitive portrait in graphite, delicate fabric embroidery, or miniature collage can compete side-to-side with a painting like The Red Death (above). That three-foot acrylic-on-canvas fantasy by artist Petey Miceli stars a giant demon-creature in flowing red cloak walking through turbulent seas with an enormous coffin under his arm.

Steven Walker, untitled, mixed media

Steven Walker’s untitled mixed media (self?) portrait of a young man staring straight back at the viewer (above) features actual barbed wire looped around the painting and a molded plastic eyeball exploding through the canvas in a gruesome bloody mess. It’s a lot to take in.

Ditto that for Universally fucked (below)–a kind of stoned joke come to life in the form of an orgasmic scary clown rogering a duck against a backdrop of the swirling psychedelic cosmos. There are elements of Jeannine Weber’s pen/pencil/acrylic artwork that I like–but I’m not going to hang this in the living room.

Jeannine Weber, “Universally fucked,” pencil/pen/acrylic

Kailee Greb, untitled (detail)

Kathie Hollingshead’s Peep All Night (below) takes the created-for-the-occasion approach to a whole new level. As one of the organizers of the event, her insiders-view recreation of Art All Night in miniature–with leftover Easter peeps standing in for attendees and volunteers–is a kind of meta joke-within-a-joke that blew this blogger’s already fragile noggin.

The piece–complete with faithful models of the plywood exhibition panels in cardboard and popsicle sticks–has so many great nods to Art All Nights past that we really have to salute this as some kind of high-water mark in art history. The tiny Etch-a-Sketch? The little Three Sisters bridge photo? Portraits of peeps? If you’ve been to Art All Night–any Art All Night–you’ll recognize these tropes. That’s it, man–game over.

Kathie Hollingshead, “Peep All Night,” mixed media

There’s long been a debate in Art All Night’s inner circles as to whether the work of younger artists should be segregated into a safe zone. The proponents argue that this way junior’s finger painting doesn’t end up hanging next to something really offensive; those opposed feel like it puts the kids in the often looked-over ghetto of “children’s art.”

Personally, I love to be surprised when the piece that pops out from a full panel has Age: 14 (or whatever) on the info tag. But I’m not a parent and don’t have to answer not-ready-for-it-yet questions like “why is that man doing that to that lady?”

Regardless, the under-18 panels always yield great stuff–too much to include here–but we loved Faith Little’s Daniel Ceaser, a mixed-media bas-relief in cut cardboard with stray scattered phrases like “Japanese Denim,” “Death & Taxes,” and “Street Car” that must be meaningful…but we can’t make the connection.

Faith Little, “Daniel Ceaser,” mixed media

Elias Grim, “Building a Wall”

As always, Art All Night is a place for some folks to, as Mrs. The Orbit says, “get their freak on.” From the days of The Rubber Men, The Cardboard Cowboy, and Sailor John Art All Night always brings out a who’s-who of where are these people the rest of the year?

The event has been around long enough for some of these folks to now be exhibiting in the great gallery in the sky. Rest assured, there’s a new crew of regulars–that guy with the electric blinking lights fuzzy jacket, Most Wanted’s crushed art cars, too many costumed characters to name, a naked lady!

We also enjoyed this too-late-for-the-party-but-I’m-showing-up-anyway tribute collage to the Golden Girls (below) which appears to just be a drop-off/leave-behind. We don’t know what Blanche, Rose, Sophia and the gang would have thought about Art All Night, but they’d be welcome here too.

anonymous drop-off art, “Golden Girls” collage

They’re not the only ones. If Art All Night teaches us anything, it’s that the human spirit to create, delight, surprise, and humor is deep and wide, strong and alive. That behind every row house awning and within every apartment bedroom there may be an artist, paintbrush in hand, shoving a fake bloody eyeball through a canvas just because he or she wanted to communicate…something…to the world.

lildoodoobutt, the artist behind the Snow White piece, would likely have a hard time finding gallery sponsorship elsewhere. We might assume the same for the vast majority of Art All Night contributing artists. That said, Ma and Pa doodoobutt can rest assured their kid will always have a home at Art All Night.

Katy Dement, papier mache/chia seed

More Time for the Skyline

Art installation of Pittsburgh skyline as large cut-outs with black and white patterns projected on them

Spirit Lounge Pittsburgh 200th Birthday Celebration

Back in January, we posed the question is the Pittsburgh skyline that distinct? No definitive conclusion was achieved but it became clear that we’re dealing with an extremely popular subject. In only the few months since, we’ve seen new examples of the same profile appear over and over–in art, in industry, in history. Here are The Orbit’s favorites:

Spirit Lounge‘s 200th birthday party for the city was an orgy of Pittsburgh in-joke goofballery. The flashing, multi-color downtown skyline diorama looked great in all of its phases, but especially this high-contrast, two-tone number (above)–amazingly with just one building’s profiles caught on the bias. Hats off to whoever put this great display together.

Airbrush painting of the Pittsburgh skyline seen from the North Side

Warhola Recycling, North Side

Warhola Recycling would have to include a North Sider’s view of the city. The big touch points are all there: PPG, Fifth Avenue Place, Point State Park and its fountain–even one of the party boats on the river. This mural, airbrushed on the big steel doors on the side the building, is a great example of the skyline potentially popping up just about anywhere.

fantasy skyline with various Pittsburgh elements included

Energy Innovation Center (former Connelly Technical Institute), Hill District, c. 1930

The depiction of Pittsburgh in this arched doorway mural from the old Connelly Technical Institute is terrific in a number of ways. First, it’s just very much of its time–a pseudo-realistic depiction of the city in full industrial might: a place of buildings reaching to the skies, bridges that can ford any span, industry cranking out…stuff, and glorious rolling green hills as far as the eye can see.

But it’s also a perspective that doesn’t actually exist–and never did. The painting is a fantasy view of Pittsburgh combining real-life entities (downtown’s Gulf Tower, the Panther Hollow Bridge in Oakland, steel mills, farmland) plucked out of their actual habitats and re-combined in a close-shouldered collision. It’s like a regional greatest hits album that lacks any cohesive flow, but still sells because it’s got all the good stuff people want to hear.

city skyline painted on concrete tennis practice wall, Pittsburgh, PA

Garland Parklet, East Liberty

This skyline, painted graffiti-style in a park in East Liberty, is almost so abstract that we can’t count it–it could be Anytown (O.K. any city), U.S.A. There’s no recognizable Gulf Tower or U.S. Steel Building, but the central point is arguably Fifth Avenue Place’s giant hypodermic needle. They’ve also got a generic bridge in there, though it doesn’t really look like any of the “three sisters” suspension bridges. In any case, this blogger thinks it counts. Plus, it ended up on the backstop of a tennis practice wall in East Liberty, which is a pretty neat place to turn up a city mural.

Pittsburgh skyline mural painted on cinderblock building

Red Star Ironworks, Millvale

Excuse the weird cropping here, but there was a glass block window and a competing mural to work around. The entire front of Red Star Ironworks’ Millvale workshop has been painted as a giant tribute to big dudes working with hot steel. The split pair of Pittsburgh skylines that bookend the mural are really just a decorative afterthought. But they’re still there, and you won’t have any trouble picking out the now-familiar key players.

mural on brick wall including the downtown Pittsburgh skyline

Mural, Art All Night 2016, Lawrenceville

We could have filled an entire post–maybe several–with depictions of downtown Pittsburgh entered into this year’s (or any year’s) Art All Night. But we went with the one that will go down with the ship: a mural painted directly on the brick wall of the 39th Street Arsenal Terminal building that ain’t long for this world. New condos await, right there at the foot of the 40th Street Bridge, but they’re not going to make it into this skyline.

Art All Night 2015 Round-up

warehouse in Pittsburgh where Art All Night 2015 was held

Outside Art All Night’s home for the last couple years

Art All Night.  That most democratic of all one-day, all-night, anything-goes art “happenings.” It’s one of the reasons The Orbit took up shop in Lawrenceville some fifteen years ago and, at least for the moment, it’s still going strong.

This past weekend was Art All Night’s eighteenth year.  We were there seventeen years ago for event #2 in the former G.C. Murphy’s on Butler Street (now Rent-a-Center).  Back then, that medium-sized retail space was over-large for the hundred-some pieces of artwork that walked in the door and the couple hundred event-goers there to check them out. The art was hung, as I recall, on old Murphy’s pegboard, before the advent of the now-standard OSB and 2×4 panels.

Even in its embryonic state, this blogger-to-be was hooked.  We bought our house right up the hill a year later and I was volunteering for the event the year after that. My contribution has dwindled to just the big build-out day, but my conscience won’t let me not show up at all.

Art All Night is in the weird position of being a victim of its own success.  The elephant in the warehouse-sized room is that the event won’t be around forever; Lawrenceville is just running out of the kind of giant, vacant real estate that can still accommodate thousands of visitors. This year’s building is slated for (at least partial) demolition and redevelopment, which is sad, but also makes perfect sense.

industrial warehouse interior with paint slingshot targets

Paint slingshot targets

I didn’t take any big group shots of the thousands of people who packed the massive five-bay industrial building where the event took place this (and last) year, nor did I try to capture any of the many performers (some 40+ musical acts, dance, improv comedy, live painting, a guy trying to set a world record for human beat-boxing, etc.) or wacky crowd figures (Abe Lincoln, “The Cowboy,” the rubber men, guy with Christmas lights under his furry coat, etc.).

There are many great things about Art All Night, but ostensibly, the event is about the thousand-or-so objets d’art that manage to make their way into the space that afternoon and up on the panels, or along the walls, or spilled along the floor for the world to see mere hours later.

There is great art, for sure, but in the shotgun blast of raw expression, joke art, quirk, deviance, desire, and beauty that is rushed onto the particle-board panels, it’s the ones that scream the loudest that seem to make the event the most memorable.

It is in that spirit that I thought I’d just feature some great examples of what we consider “classic Art All Night”–whether that speaks to cliche or repetition or simply some base human mode of expression is up for debate. Presented are individual examples of this year’s entries and the various itches they scratch.  Enjoy.  I know I did.

artwork of Pittsburgh skyline in cut paper

Pittsburgh skyline

painting of steel worker with steel mill in background

Steel mills/steel industry

painting of two football players on the field

Sports art/Steelers

painting of Jerry Garcia with a glowing third eye

Skip a little rope, smoke a little dope

line drawing of intertwining pipes

Time to wash the hands (again)

This is nothing to those halcyon days of the early oughts when a guy could cover an entire 8′ x 4′ display panel with an imaginary city, complete with all transit routes and street names, mapped out on graph paper and executed in mechanical pencil.

artwork showing challenges and options for women today


Under-represented this year were the big poster boards loaded up with (literal) ripped-from-the-headlines newspaper clippings (another casualty of the death of print!).  These would often be accessorized by a top layer big message: WAR? or Progress? or Justice? There were some nice sentiments on the evils of bearing children (one complete with a dangling flaccid condom), but it just wasn’t the same.

sculpture of human torso with world map glued to it

Maps/torsos OR “That’s not my belly-button!”

assemblage artwork including a baby doll's head

Doll head/parts assemblage

The doll parts genre this year was impressively (if disappointingly) tasteful. Typically there are numerous crude entries, oft splattered with red paint, grafted in vulgar ways to stray objects, etc.  Sigh.

artwork with tiny clown heads on sticks in jars with mysterious liquid

Science art/tiny clown heads on sticks in jars with mysterious liquid

I love the pseudo-science entries–and this was a fine one–but the genre lacked quantity this year.

two large-size sculptures of robots

Big robots

Artwork with a mannequin dressed like a queen in a clothes washing machine

Mannequin/English royalty/appliance-related

painting of Spock from Star Trek

science fiction

Spoke from Star Trek rendered on an Etch-a-Sketch


sculpture of zombie hand and grave stone in dirt

The evergreen: Pittsburgh loves zombies

painting of female monster eating a human head


painting of woman in her underwear removing a long black glove

Naughty ladies (and the men who like them)

This year’s naughty/nudie art count was way down from any previous event.  In fact, the normally stocked “porn art” entrants must have just sat on their flesh- and boudoir-colored paint cans this year, as there was nary a stray wang or cooter to bat an eye at.

painting of a strange part chicken/part egg creature

Which came first: the chicken or the … ah, jeez

sculpture of woman's head and hand surrounded by silver foil


I heard a number of people remark that it felt like the total amount of art was down from previous years. Maybe that’s true, or maybe it’s just the way the space and panels were used. Either way, my remarks above definitely include a lot of sentiments around missing some old friends.  Ah, well, maybe next year.