Back in January, we posed the question is the Pittsburgh skyline that distinct? No definitive conclusion was achieved but it became clear that we’re dealing with an extremely popular subject. In only the few months since, we’ve seen new examples of the same profile appear over and over–in art, in industry, in history. Here are The Orbit’s favorites:
Spirit Lounge‘s 200th birthday party for the city was an orgy of Pittsburgh in-joke goofballery. The flashing, multi-color downtown skyline diorama looked great in all of its phases, but especially this high-contrast, two-tone number (above)–amazingly with just one building’s profiles caught on the bias. Hats off to whoever put this great display together.
Warhola Recycling would have to include a North Sider’s view of the city. The big touch points are all there: PPG, Fifth Avenue Place, Point State Park and its fountain–even one of the party boats on the river. This mural, airbrushed on the big steel doors on the side the building, is a great example of the skyline potentially popping up just about anywhere.
The depiction of Pittsburgh in this arched doorway mural from the old Connelly Technical Institute is terrific in a number of ways. First, it’s just very much of its time–a pseudo-realistic depiction of the city in full industrial might: a place of buildings reaching to the skies, bridges that can ford any span, industry cranking out…stuff, and glorious rolling green hills as far as the eye can see.
But it’s also a perspective that doesn’t actually exist–and never did. The painting is a fantasy view of Pittsburgh combining real-life entities (downtown’s Gulf Tower, the Panther Hollow Bridge in Oakland, steel mills, farmland) plucked out of their actual habitats and re-combined in a close-shouldered collision. It’s like a regional greatest hits album that lacks any cohesive flow, but still sells because it’s got all the good stuff people want to hear.
This skyline, painted graffiti-style in a park in East Liberty, is almost so abstract that we can’t count it–it could be Anytown (O.K. any city), U.S.A. There’s no recognizable Gulf Tower or U.S. Steel Building, but the central point is arguably Fifth Avenue Place’s giant hypodermic needle. They’ve also got a generic bridge in there, though it doesn’t really look like any of the “three sisters” suspension bridges. In any case, this blogger thinks it counts. Plus, it ended up on the backstop of a tennis practice wall in East Liberty, which is a pretty neat place to turn up a city mural.
Excuse the weird cropping here, but there was a glass block window and a competing mural to work around. The entire front of Red Star Ironworks’ Millvale workshop has been painted as a giant tribute to big dudes working with hot steel. The split pair of Pittsburgh skylines that bookend the mural are really just a decorative afterthought. But they’re still there, and you won’t have any trouble picking out the now-familiar key players.
We could have filled an entire post–maybe several–with depictions of downtown Pittsburgh entered into this year’s (or any year’s) Art All Night. But we went with the one that will go down with the ship: a mural painted directly on the brick wall of the 39th Street Arsenal Terminal building that ain’t long for this world. New condos await, right there at the foot of the 40th Street Bridge, but they’re not going to make it into this skyline.