Golden Dangling Baby!

dangling baby silhouette w wires

The vigilant blogger must learn to look for inspiration anywhere and everywhere. These stories don’t grow on trees! [Well, actually they might grow on trees.] Maybe Mayor Peduto has enough clout to order the D.P.W. into creating brilliant street art, but The Orbit has yet to wield that kind of influence. Until then, we’re at the mercy of fate, jonesing for goofballs, and always on the lookout for the next score.

And indeed it was fate–an extra cold morning (too cold for the bicycle), a missed bus, a re-routed walk to work–that led this blogger to receive what we’re considering a kind of divine inspiration. Yes, at the moment when we needed it most–mere hours (err…a couple days) before deadline–today’s story literally fell out of the sky at us in the form of one suspended baby doll, dangling by his right foot from the telephone wires along Penn Avenue.

We’ve seen a lot of things hanging from wires in our day–banners and debris, vines and living creatures, and of course the ubiquitous pairs of sneakers–laced, eulogized, and interred in the sky as a final loving tribute. But until now, Pittsburgh Orbit has never encountered a dangling (falling? flying?) baby doll high in the utility infrastructure. This one is new to us.

dangling baby vertical

Though not parents ourselves*, hanging the next generation from telephone wires may be understandable–hell, there might still be time to string up the Millennials! In any case, it’s a questionable form of child care for a newborn and likely not recommended by “real” parents.

How the baby doll got up on those wires is a mystery. Getting a laced pair of sneakers up there seems like a simple enough task–you stand on the sidewalk and keep throwing them over head until they catch. But this baby doesn’t have any counter-balance, no obvious hook to snare the electric line on the trip up. That, and these wires are a good twenty feet in the air and not terribly near any windows on the Penn Ave. buildings. How did it get here?

There is one more interesting tidbit. Though it is not at all apparent in these backlit morning light photographs, the baby has had its flesh painted gold (you’ll have to take The Orbit‘s word for this–or better yet, go see for yourself). This should allay any possible suspicions that the baby reached the overhead wires of natural causes. Uh-uh. Not buying it. This card-carrying amateur detective wanna-be knows the work of someone on the prankster-street art continuum when he’s standing under it…and he likes what he sees.

To you, Golden Baby Dangler (whoever you are), thank you for making one blogger’s day.

dangling baby w Penn Ave facades

* That we know of

Un-Graffiti: No Parking! (Part 1)

white brick wall with "NO PARKING" painted in red, Pittsburgh, PA

NO PARKING, Oakland

Parking, man. People get so damn worked-up about it.

When first The Orbit introduced the notion of “un-graffiti” some most-of-a-year-ago, it wasn’t clear there’d be much more to that particular story. How wrong we were! As it turned out, over and over again we were seeing not just more examples of the form, but the very particular one of business owners taking the law into their own hands with D.I.Y. graffiti-style No Parking signs. We have so many of these that our hard drive overfloweth with this particular bounty. Here we bring you just the cream of this particular crop…so far.

brick wall with message "Theatre. Quiet please. No parking." painted, Downtown Pittsburgh

THEATRE QUIET PLEASE *NO PARKING*, Downtown

In our digital-age interpretation of ALL CAPS as text-based shouting, the QUIET PLEASE portion of this particular message comes as a humorous incongruity. I believe the “theatre” location is actually still valid (either Harris or Arcade Comedy? It’s somewhere near the back/alley side of those two) though I imagine this sign predates the modern use of the space. The different color paint, elongated verticals, and general sloppiness of the NO PARKING half of the message suggest it was appended at some point after the initial job.

corrugated metal doors with hand-painted no parking message

DOORWAY DON’T BLOCK! No parking, Strip District

This blogger is sitting on a ton of pictures taken around the set of corrugated metal warehouses in the 3100 block of Penn and Liberty in The Strip. They just always look great and get such terrific weird light sneaking in over The Hill and down through the canyon between the tight buildings on either side of the Spring Way alley. What we’ll do with those, who knows? But there happens to be one qualifying no parking entry here, this with the re-phrase DOORWAY DON’T BLOCK–the no parking a mere afterthought.

no-parking-arrow

NO PARKING, Lawrenceville

Why is the NO only one brick high, but PARKING gets two? The directness (literally) of the arrow is so great…and specific. “Is it just right here? Is it OK if I park over there?” Whatever the explanation, it’s clear the owner of this property on Cabinet Way in Lawrenceville (a church school, rather than a home, if memory serves) doesn’t want to ask too much. Give the lord this one spot; do what you want anywhere else.

garage door spray painted with "Please. No parking in front of garage. Thank you."

Please. No parking in front of garage. Thank you. Lawrenceville

The most courteous no parking sign you’ll likely find. The message is written in a friendly cursive, includes an abstracted flower (?) decoration, and is bookended with both “Please” and “Thank you.” It makes this blogger almost want to abandon a car here, just to meet these nice folks.

brick walk with no parking message painted

NO PARKING ON SIDEWALK, North Side

Found on an alley in central North Side, this example is so perfect it looks like a film set. The worn red brick wall, the steel bars on the blocked-out windows, and the perfectly-painted (stenciled?) NO PARKING ON SIDEWALK that’s likely fifty or sixty years old (?) are all…just so. You could line up the Sharks and Jets or Pink Ladies and greasers in front of this backdrop and have a right proper switchblade-slinging bubblegum-popping sing-and-dance off. Cue: Vinnie Barbarino–this time we’re racing for pinks. Wop-de-wop, shoo-bop de-doobie-do.

faded painting on brick wall reading "No Parking at any time", Glassport, PA

*NO* PARKING at any time, Glassport

Another old sign so quaintly precious it’s hard to believe. This one has the bonus keystone-shaped Official [unreadable] ghost sign above it (probably a former Pennsylvania state inspection station?). The no-nonsense *NO PARKING* followed by the sweet lower-case at any time have a nice good cop/bad cop duality that seems to come from another time–don’t park here, but we still like you. Come back for an inspection and maybe an oil change…at any time.

Painting on brick wall of pizza restaurant reading "NO Parking Pizza Only ... -- or Towed at your own risk!", Homestead, PA

NO PARKING PIZZA ONLY … — OR TOWED at your own risk! Homestead

An embarrassment of riches…or at least messages. Is it “no parking” or “parking pizza only”? Why is there both an ellipsis and an m-dash? How can you be “towed at your own risk!”?Regardless of any lapses in pre-paint proof-reading (err…proof-thinking-through), it’s pretty obvious Di Sallas Pizza in Homestead would like you to pick up your pie and get the hell out–you can leave the motor running. The glowing online testimonials suggest the Di Sallas spent more time in the kitchen than either art or English class and we should come back to cover this place for The Pizza Chase–we’ll just watch where we park.

hand-painted sign on cement wall reading "Parking only Dollar Store and More"

PARKING ONLY DOLLAR STORE AND MORE, Forest Hills

Two Great Tastes: Get Write with God

wall painted with "Jesus is the answer", Pittsburgh, PA

Watch that first step: it’s a doozy. “Jesus is the answer,” Homewood

He measured it on the four sides; it had a wall all around, the length five hundred and the width five hundred, to divide between the holy and the profane. (Ezekiel 42:20)

Back in the early Spring, we inaugurated the Two Great Tastes series with a piece on how snow and trains just naturally look (and photograph) great together. We also included a bunch of other pithy two-fers involving things like French cop movies, Zubaz, and fried fish sandwiches. This blogger certainly can’t predict when another one of these terrific combos will come along, but believe you me: The Orbit knows it when we see it.

And see it we did! Or do. Or keep on seeing as we come across the seemingly incongruous one-two of (Christian) religion and street graffiti. It might seem weird to take up both scripture and Rust-Oleum, but, you know, it’s the greatest story ever told and these colors, like true faith and decent exterior enamel, definitely won’t run.

Abandoned storefront with graffiti reading "Rap music suck. Go to church."

The door’s open but the ride ain’t free. “Rap music suck. Go to church.” Clairton

Generalizations about entire musical genres aside, it’s hard to understand the connection between the relative quality of rap music and the commandment to attend church. We know correlation is not causation as one might just as inaccurately assume spray paint-wielding taggers would be unlikely in a house of the lord on Sunday.

Church stair rail with graffiti reading "God is dead, Devil is everywhere"

Crossed the deserts bare, man. “God is dead, Devil is everywhere.” Millvale

Is God dead? Is The Devil really everywhere? At least one troubled soul sure felt strongly enough about it to render this haunting message in black Sharpie on the stair rail of the great Holy Spirit Parish Catholic church in Millvale. We have to assume that, like the song says, “people are cracking up all over.” And when reaching out to the mental health system involves vandalizing church property, well…we’ve still got a ways to go.

Tell him what you want. “Jesus rides freight trains.” Strip District

Another questionable assertion, this one on a boxcar in the Strip District. I don’t know if Jesus rides freight trains, but they’re probably more reliable than AmTrak. That said, if Jesus really wants to commune with the in-transit laity there are going to be a lot more of them on the Greyhound or MegaBus (not to mention the DMV). And let me tell you something: some of those bus riders could learn something from a good ol’ monastic vow of silence!

Graffiti on tile wall reading "The Devil made me do it the first time ...", Pittsburgh, PA

Out on the tiles. “The Devil made me do it the first time …” Lawrenceville

So many questions: What is it? Who made you do it the next time? How many times did you do it? Did you ever get tired of it? Why do I need to hear about it? We’ll likely never know what TSU was going on about here, but hopefully admitting it was a least a first step to reaching a better place.

Brick wall with graffiti reading "What if the only things God blesses you with tommrow is what u r thankful for today"

He would / Die 4 / U. “What if the only things God blesses you with tommrow is what u r thankful for today,” (sic.) Manchester

The Orbit‘s copy-editing team is having a fit with this one, but relax, guys: everything’s cool. The suggestion (we can’t actually locate a Biblical reference for this one) that the salvation we’re waiting for in the future is here right now strikes this frequent grass-is-greener blogger as actually quite profound. The statement speaks to both live for today and be grateful for what you have sentiments, and also that the (presumably) afterlife-believing perpetrator wants us to be happy, right here in this world. Amen.

An Orbit Obit: Where the Buffalo Roamed

sidewalk painting of purple and white buffalo with painted fence

Last photographic evidence of the now-extinct sidewalk buffalo of lower Lawrenceville, Summer 2015

The lore will be passed-down for generations to come. It was a time when proud giants strode the streets (err…sidewalks) of lower Lawrenceville; their brilliant purple, red, white, and gold colors shimmering and electrifying the drab, weed-cracked concrete blocks. Mere mortals freely walked foot-to-hoof with these legendary lords of the great plains. Every one of the animals was rendered in its own style–the group less herd and more party of like-shaped individuals; each creature with its own agenda. Though trampled underfoot, they still managed to stand tall–at least if you stood back far enough to get the angle right.

sidewalk painting of purple, red, and white buffalo

Purple pain: one big hombre

If you find yourself at the corner of 35th and Charlotte Streets in Lawrenceville’s sixth ward, you won’t miss Jeremy Raymer‘s house. The otherwise standard-issue two-story Pittsburgh rowhouse is covered–foundation to soffit–in big, eye-popping mural portraiture. Around the side, a gray, picket fence is more loosely painted in an ever-evolving array of icons. The closest telephone pole is covered in an odd assortment of push-pinned offerings. [More about all of this, hopefully, in some future Orbit story.] The one thing you won’t see anymore is the fantastic parade of buffalo that roamed freely on Raymer’s sidewalks just weeks ago.

sidewalk painting of purple and white buffalo

Lascaux-a-go’alo: caveman street buffalo

It was a surprise to see them disappear so quickly. Street art is by its very nature temporary/ephemeral, but we hope the good stuff will get a little time in the sunshine before the man sends in the clouds. Having just taken these photos in August, we arrived back at the same intersection a mere couple months later with nothing but the faintest outlines of the great beasts remaining. It was a sad reminder of both how fleeting grace can be and also how potentially on-the-verge-of-dissolution pretty much everything is. The great American street bison is clearly no exception.

sidewalk painting of purple, red, and white buffalo

All wound up: mechanique’alo

We got in touch with Mr. Raymer to ask about the sudden extinction of his herd. He verified that indeed he was the perpetrator (the buffalos were loosely based on series of photographs by Eadweard Muybridge taken in late 19th century), planning to make them last, Raymer painted the buffalos in Montana Gold spray paint, and that a neighbor filed an official complaint about the sidewalk paintings. The city’s Graffiti Task Force was called-in and was therefore obligated to power wash them away. (Apparently the city would not have acted but for the formal complaint.) Raymer would like to re-paint his sidewalks with a new to-be-decided theme at some point in the future, but this time he’ll go through official channels to do so.

Sequence of a buffalo (American bison) galloping. Photos taken by Eadweard Muybridge (died 1904), first published in 1887 at Philadelphia (Animal Locomotion).

Eadweard Muybridge’s photographic sequence of a buffalo (American bison) galloping, 1887

The whole thing raises an interesting series of questions. Sidewalks are this curious blend of public and private space and the letter of the law doesn’t necessarily add up logically. Technically, one’s sidewalks are part of the property lot and the homeowner (not the city) is legally responsible for the care and maintenance, including weed, snow, and ice removal, patching and replacing cracked concrete, etc. Sidewalks are undeniably public thoroughfares that everyone uses and are absolutely essential to a healthy urban environment. They also offer great opportunities for expression.

Shouldn’t Raymer (or anyone else) be allowed to decorate his own property–that he’s legally responsible for maintaining–in a way he chooses? Why is he allowed to paint the public-facing fence, but not the adjacent sidewalk, which is inches away and just as visible? If the same neighbors objected to his wall murals, would the city be in power to act on those complaints? And if one is painting his or her own property, does it really count as graffiti?

sidewalk painting of purple and white buffalos

Then: corner buffalo (and friend)

faded outline of a buffalo painted on sidewalk, Pittsburgh, PA

Now: the same corner with the last traces of the once-proud herd of Lawrenceville’s sidewalk buffalo

The Orbit does not pretend to have answers to these questions, nor do we want to vilify the residents who objected to the paintings. That said, this hardcore all-seasons blogging pedestrian would like to see the neighbors of Lawrenceville put that same keep-the-sidewalks-clean enthusiasm put into clearing the inevitable mini glaciers of snow and ice that will arrive any day now.

Maybe down on 35th Street they don’t have this problem, but just a few blocks away I sure do! Every year I slip on un-shoveled winter sidewalks. Most years there is at least one ugly fall that ends with a bent knee, a twisted ankle, or a very literal pain in the ass. These buffalos may look threatening, and they may not be Raymer’s neighbors’ idea of art, but it’s hard to imagine they were really offending anyone. It’s the coming ice age that may do us all in.


To see more of Jeremy Raymer’s work, check him out on Instagram @jeremyMraymer.

An Orbit Obit: The Myrtle Booth Tanning Salon (Storefront)

Window for former Myrtle Booth Tanning Salon, Pittsburgh, PA

Myrtle Booth Tanning Salon (storefront), R.I.P.

Very recently, the long-vacant storefront at 4116 Main Street in Lawrenceville/Bloomfield finally turned over. By chance, I was lucky enough to have ganked this photo of the most recent business a few months before it disappeared.

Why do I care about an ex-tanning salon? I don’t even like real sun that much! Well, there were just so many little things to love about the Myrtle Booth windows.

I’ve been to Myrtle Beach

Myrtle Booth is clearly a riff on Myrtle Beach, the popular South Carolina beach/party town where many pasty northerners prefer to vacation this time of year. This blogger-to-be used to live just up the coast in Wilmington, NC. In the couple years I lived there, I made the hour-long drive down to Myrtle Beach a number of times, seemingly all for some goofy reason.

I remember driving down with my friends Detlef and David on the former’s quest for plastic pants, a necessary adjunct to the aspirationally-epic rock and roll he was performing at the time. No memory of whether he located them or not. I also remember making the trip with musical pen pal Marion, visiting the southern United States from Great Britain, along with Portland Orbit‘s own David. The parade of signs advertising “shag dancing,” “shag contest,” “shag music,” and just plain “shagging” turned her porcelain English sun-starved cheeks blood red. In the lowlands of the South, nothing could be tamer than shagging, but we understand it means something entirely different across the lake.

Handmade sign advertising shag dancing classes

Shag classes in Myrtle Beach: come join in or watch! [photo: the Internet]

You know what? I was there at least one more time. David (again, Orbit David) (what a prince!) helped me pack up a U-Haul and move from Wilmington to Pittsburgh. My repayment was to take him to Medieval Times wherein we ate giant turkey drumsticks, drank Pepsi products, and watched the pageantry of real humans and horses parading and jousting on the dirt floor of suburban Myrtle Beach sprawl. [Note to those relocating cross-country: an evening for two at Medieval Times is a lot cheaper than professional movers and pretty solid entertainment. Go Green Knight!]

Medieval Times theater/restaurant

Medieval Times: Where you’re the king and the Pepsi products are all-you-can-drink [photo: the Internet]

All this is to say Myrtle Beach is fine, but it’s not the destination I’d name my business after. But then, I probably won’t ever open a tanning salon. As my mother is wont to say, “maybe in my next life…”

Every square inch of their big front windows was painted over

I don’t know that I can name any other business that so successfully blocked out the light as Myrtle Booth. The irony that a tanning salon–in legendarily bleak Pittsburgh, no less–would attempt to thwart real sunlight from breaching its interior is just too great. Maybe people walk around naked in tanning salons? [Note to self: investigate!] I feel like that’s the only plausible explanation for this particular design decision.

The way the window was fallING apart

I can’t remember a time Myrtle Booth was actually open for business and we’ve been in the neighborhood for fifteen years now. You can see that aged wear it the way the white background paint has flaked off and has an amazing art-imitates-life look of loose sand on a wooden surface. I also love the single aborted attempt at graffiti in the pair of small black spray paint runs in the bottom right corner. What happened? Did the assailant just run out of paint at the wrong time? S/he never felt the need to come back and finish the job? Kids these days! No commitment!

Windows for Overcast Skate Shop retail store, Pittsburgh, PA

Overcast Skate Shop, the new occupants of 4116 Main Street

Back in May, we eulogized the relocation of Goeller Generator, a decades-old non-sexy business that cashed-in on rapidly-gentrifying Lawrenceville to make way for new upscale eats and digs in the Sixth Ward. The change from Myrtle Booth to its new life as Overcast Skate Shop is happening in the same general part of town, but with a very different set of circumstances. It’s hard to feel anything negative about a new business moving into to a storefront that’s been empty for so long and we wish them well, but I’ll still miss those big front windows.

Lawrenceville Stencil Graffiti

stencil graffiti of rabbit jumping, Pittsburgh, Pa.

This law-abiding blogger has never committed an act of graffiti in his life–but that doesn’t mean he doesn’t think about it! All the time, as a matter of fact. If I were going to get into the wall-scrawling business (don’t get your hopes up: the chances are extremely low), I’d follow a very strict code of ethics: I wouldn’t touch anyone’s personal property, I wouldn’t write some dumb, regrettable message or invent a cheesy “tag” like, say, 0rbi7, I’d make damn sure the graffiti was only an improvement to the visual landscape, and I’d perpetrate with a stencil.

Why a stencil? I’m glad I asked for you. Mostly because if they’re created with any dignity, stencils just look uniformly good, without looking uniformly, uh, uniform. They have the beauty of any hand-run print process that provides great repetition of image, but with each rendition some warm distortion and subtle variation.

All of these stenciled pieces come from a relatively small area of Central Lawrenceville–mainly 42nd and Harrison Streets (I think). I’m sure there are plenty more where these came from, so hopefully The Orbit can get a few more pulls out of this particular template.

stencil graffiti of figure in wheelchair with the word "equal", Pittsburgh, Pa.

Equal

With all due respect to The Orbit‘s female, LGBT, and people-of-color brothers and sisters, the disability community is the minority group that has by far the least public exposure and the largest and longest denial of basic human rights. No Hollywood stars are lining up around accessible transit issues, Iggy Azalea is not getting uninvited from any giant downtown deaf pride events, and no one is burning retail stores over the unemployment rates of blind people. I’ve seen these Equal graffiti splashes in Lawrenceville, Polish Hill, and Bloomfield, which is a great sign of some small amount of awareness at a very literal street level (and my wife reminds me that there are a lot of very positive changes happening in this space). Now, why the person in the wheelchair looks like Pac-Man with a torso…

stencil graffiti of hand grenade, Pittsburgh, Pa.

Hand grenade (?)

This one violates my above-stated personal rule against “bombing” personal property. But if I was the owner of the row house whose cement foundation wall had this illicitly added, frankly, I’d be fine with it. [That is not an invitation!] So far, no one has busted out the Zinsser to cover it up, so perhaps these neighbors are on the same wavelength. Bonus points for the paint run (the stenciler’s equivalent of a beauty mark) in the bottom left corner.

stencil graffiti of man with top hat and the word "kween", Pittsburgh, Pa.

Kween

According to the computer internet, “Kween” can mean umpteen different things, none of which we’ve ever heard of. So it’s hard to know what the profligate who sprayed this one was going on about. [Enlightened Orbiters: straighten us out.] But sure: top hat, weird spelling, stencil on concrete–that’s good enough for us.

stencil graffiti of a dove on a street pole, Pittsburgh, Pa.

Dove

Lay a flat stencil on a round surface and you’ll lose line definition somewhere. Whoever committed this one got that and more with a blurred leading edge so fuzzy it looks like this particular winged creature has just engaged hyperdrive. That, coupled with some oxidization and the pre-existing copper-colored lines it’s competing with and the results are a really beautiful addition to this particular streetlight pole.


Vacation notice: If you’ve gotten this far (and I’ll bet you have!) then, Mom: call me! No, seriously, Pittsburgh Orbit will be on a week-and-a-half vacation break wherein we’ll try to figure out what to do when we get back on Pittsburgh time. In the words of the late, great George Willard, “All of the sudden, her eyebrows were too intense.” Be good.

An Orbit Obit: Goeller Generator, R.I.P.

faded sign for Goeller Generator, Pittsburgh, Pa.

Goeller Generator in Lawrenceville, 1946-2015

It was mere weeks ago that I finally took note (and, thankfully, took photo) of the beautifully faded Goeller Generator sign against the equally-transfixing rough weathered multi-color wall of the retail space next door (current home of gift shop Divertido).

Imagine my surprise, then, to pass this week by a pile of rubble and big hole in the ground where Goeller used to be.  The squat, one-story pair of cinder-block structures were no architectural marvel, and I can’t say that I’ve ever required the offerings of a generator sales and service shop (so maybe I’m part of the problem!) but I liked the fact that it was there–a constant among all the change that’s happened around it on Butler Street in Lawrenceville.

construction site with a large hole dug in the ground

A big hole in the ground

The move is so recent that there’s no mention of it on Goeller’s website, which still states proudly “We have been in the same location since 1946,” and had only in the last year or two gotten a new lit-up painted sign/mural on the wall facing 36th Street.

I e-asked around, my neighbors delivered, and the story is predictable. Zoned-retail real estate on Butler Avenue is worth a pretty penny right now and Goeller cashed-in to make way for a new development featuring a hamburger restaurant called Burgh’ers on the first floor and apartments upstairs. One report mentioned that Goeller will continue operating in a new location.

cinder-block wall of partially demolished Goeller Generator, Pittsburgh, Pa.

Over-the-Wall Club bonus: Goeller’s last wall standing with Our Lady of the Angels

Now, this blogger can eat the hell out of a fancy hamburger, even if he’s disgusted with himself for doing so. I’m also glad the neighborhood’s empty storefronts have mostly filled up and I like having more than Hambone’s and Barb’s Country Kitchen as walkable dining options. [No disrespect: I still patronize both!] But the whiplash rate of development/gentrification in Lawrenceville is pretty scary. Forever we’ve heard about this stuff happening in other cities, but I naively imagined it would never be so in Pittsburgh, let alone right in my neighborhood. Sigh.

If Frankie’s closes, it’s time to move to Rankin.

Art All Night 2015 Round-up

warehouse in Pittsburgh where Art All Night 2015 was held

Outside Art All Night’s home for the last couple years

Art All Night.  That most democratic of all one-day, all-night, anything-goes art “happenings.” It’s one of the reasons The Orbit took up shop in Lawrenceville some fifteen years ago and, at least for the moment, it’s still going strong.

This past weekend was Art All Night’s eighteenth year.  We were there seventeen years ago for event #2 in the former G.C. Murphy’s on Butler Street (now Rent-a-Center).  Back then, that medium-sized retail space was over-large for the hundred-some pieces of artwork that walked in the door and the couple hundred event-goers there to check them out. The art was hung, as I recall, on old Murphy’s pegboard, before the advent of the now-standard OSB and 2×4 panels.

Even in its embryonic state, this blogger-to-be was hooked.  We bought our house right up the hill a year later and I was volunteering for the event the year after that. My contribution has dwindled to just the big build-out day, but my conscience won’t let me not show up at all.

Art All Night is in the weird position of being a victim of its own success.  The elephant in the warehouse-sized room is that the event won’t be around forever; Lawrenceville is just running out of the kind of giant, vacant real estate that can still accommodate thousands of visitors. This year’s building is slated for (at least partial) demolition and redevelopment, which is sad, but also makes perfect sense.

industrial warehouse interior with paint slingshot targets

Paint slingshot targets

I didn’t take any big group shots of the thousands of people who packed the massive five-bay industrial building where the event took place this (and last) year, nor did I try to capture any of the many performers (some 40+ musical acts, dance, improv comedy, live painting, a guy trying to set a world record for human beat-boxing, etc.) or wacky crowd figures (Abe Lincoln, “The Cowboy,” the rubber men, guy with Christmas lights under his furry coat, etc.).

There are many great things about Art All Night, but ostensibly, the event is about the thousand-or-so objets d’art that manage to make their way into the space that afternoon and up on the panels, or along the walls, or spilled along the floor for the world to see mere hours later.

There is great art, for sure, but in the shotgun blast of raw expression, joke art, quirk, deviance, desire, and beauty that is rushed onto the particle-board panels, it’s the ones that scream the loudest that seem to make the event the most memorable.

It is in that spirit that I thought I’d just feature some great examples of what we consider “classic Art All Night”–whether that speaks to cliche or repetition or simply some base human mode of expression is up for debate. Presented are individual examples of this year’s entries and the various itches they scratch.  Enjoy.  I know I did.

artwork of Pittsburgh skyline in cut paper

Pittsburgh skyline

painting of steel worker with steel mill in background

Steel mills/steel industry

painting of two football players on the field

Sports art/Steelers

painting of Jerry Garcia with a glowing third eye

Skip a little rope, smoke a little dope

line drawing of intertwining pipes

Time to wash the hands (again)

This is nothing to those halcyon days of the early oughts when a guy could cover an entire 8′ x 4′ display panel with an imaginary city, complete with all transit routes and street names, mapped out on graph paper and executed in mechanical pencil.

artwork showing challenges and options for women today

Thought-provoking/statement

Under-represented this year were the big poster boards loaded up with (literal) ripped-from-the-headlines newspaper clippings (another casualty of the death of print!).  These would often be accessorized by a top layer big message: WAR? or Progress? or Justice? There were some nice sentiments on the evils of bearing children (one complete with a dangling flaccid condom), but it just wasn’t the same.

sculpture of human torso with world map glued to it

Maps/torsos OR “That’s not my belly-button!”

assemblage artwork including a baby doll's head

Doll head/parts assemblage

The doll parts genre this year was impressively (if disappointingly) tasteful. Typically there are numerous crude entries, oft splattered with red paint, grafted in vulgar ways to stray objects, etc.  Sigh.

artwork with tiny clown heads on sticks in jars with mysterious liquid

Science art/tiny clown heads on sticks in jars with mysterious liquid

I love the pseudo-science entries–and this was a fine one–but the genre lacked quantity this year.

two large-size sculptures of robots

Big robots

Artwork with a mannequin dressed like a queen in a clothes washing machine

Mannequin/English royalty/appliance-related

painting of Spock from Star Trek

science fiction

Spoke from Star Trek rendered on an Etch-a-Sketch

Etch-a-Sketch

sculpture of zombie hand and grave stone in dirt

The evergreen: Pittsburgh loves zombies

painting of female monster eating a human head

Monster/horror

painting of woman in her underwear removing a long black glove

Naughty ladies (and the men who like them)

This year’s naughty/nudie art count was way down from any previous event.  In fact, the normally stocked “porn art” entrants must have just sat on their flesh- and boudoir-colored paint cans this year, as there was nary a stray wang or cooter to bat an eye at.

painting of a strange part chicken/part egg creature

Which came first: the chicken or the … ah, jeez

sculpture of woman's head and hand surrounded by silver foil

???

I heard a number of people remark that it felt like the total amount of art was down from previous years. Maybe that’s true, or maybe it’s just the way the space and panels were used. Either way, my remarks above definitely include a lot of sentiments around missing some old friends.  Ah, well, maybe next year.

The Over-the-Wall Club

Bloomfield rowhouses seen over a wall

Bloomfield

What’s on the other side?

The question that drove thousands (millions!) of seekers–from Lief Ericson and Amelia Earhart to Harry Houdini and Charlie Sheen to that darned chicken.  What’s on the other side?

Walls make us wonder all the time, especially those that give just glimpses above of what might be masked below: treetops, a roofline, hillside, telephone wires.  What’s going on over there? Who’s in there? Is the grass really greener?

Photographically, they’re strange creatures. There’s very little visual action in a wall (depending on the wall), and you probably wouldn’t want to only look at a just a plain old wall. But what if it bisects a scene into neat geometric chunks: bands of near and far, light and dark, patterned and dissonant.

The Over-the-Wall Club meets irregularly to share photos of their findings, gulp coffee, inhale paint fumes, stare over the wall, and ask the question one more time: what’s on the other side?

Corrugated metal wall, Lawrenceville

Lawrenceville

Leslie Park Pool, seen over the pool wall

Leslie Park Pool, Lawrenceville

Troy Hill, seen over a wall

Troy Hill (from the Strip District)

Lawrenceville row houses from Allegheny Cemetery

Lawrenceville (from Allegheny Cemetery)

ALICE IN WONDERLAND, W.C. Fields, as Humpty-Dumpty, 1933

The Over-the-Wall Club’s most famous member

Easter Special: Lawrenceville Window Displays

row house window diorama

Guest blogger Kirsten Ervin has long watched the evolving window displays of our neighbors in Lawrenceville.   For our Easter special, Kirsten takes us for a look around the seasonal offerings on this fine finally-feels-like-Spring holiday weekend.

 

row house window artI have long been intrigued by the window art of Pittsburgh row houses. These are the windows of working class houses in Bloomfield, Lawrenceville and Polish Hill, neighborhoods once dominated by the steel mills.

 

 

Easter bunny in door window

Here you’ll find tableaus of religious figures mixed with cartoon characters, stuffed animals, kids artwork and Steeler fandom. It’s common to see Jesus and Mary mingling with cheerful trolls and frogs, nestled up to Andre Fleury and Sidney Crosby.

These shadow boxes face the street, on display for the pedestrian, giving a glimpse into those who live inside. “We love spring!” declares one, or “We are faithful!” shouts another, or even, “We haven’t given a shit about anything since Halloween!” says a third.

 

row house window art

They remind me of the assemblages of Joseph Cornell, that solitary American artist of the mid century, who created achingly beautiful, surreal arrangements while living in Queens and eating most of his meals at the automat.

What happens when objects are placed under glass in a box? Do the contents seem more precious, more significant? One is reminded of religious shrines of course, and the powerful combination of color, glass and light, framed.

row house window art

For the viewer of Pittsburgh window art, another dimension exists, the reflection of the opposite side of the street. Add the layered images of branches, other houses, street signs, and electrical lines, and the tableau shifts again.

It is touching to recall that one of Joseph Cornell’s last exhibitions was created especially for children, his boxes hung at child-friendly height, with cake and soda at the reception. Here too, is everyday art, meant for the everyday spectator, a chance to show the passerby who you are and what you care about.

 

Photos and text by Kirsten Ervin.

row house window art

 

row house window art