The Meadville PennDOT Road Sign Sculptures, Part I: The Fence/Mural

Meadville PennDOT sign sculpture fence detail of cow

It was a dreary, cool, rainy day when The Orbit crew pulled off the highway for some high art and a bag of Combos. We’d describe the weather as very un-summer-like, except it was very much in keeping with this particular summer. This cool-weather-lover is certainly not complaining–give him forty-five degrees and drizzling and you’ll find one happy blogger chortling to himself as he types. That said, we were hoping for a break in the rain long enough to photograph one particular roadside curiosity, and were granted that particular wish.

Meadville PennDOT sign sculpture fence of hot air balloons

Thurston Balloon Classic over Weight Limit Mountain

An hour-and-a-half due north of Pittsburgh lies Meadville, the seat of Crawford County. This smallish town is the unlikely host of an immense collection of sculptures, all in connection with and displayed by the local Pennsylvania Department of Transportation (“PennDOT”) maintenance yard.

Meadville PennDOT sign sculpture fence of barn and silo

Stop barn with Jct silo

According to PennDOT, the fence/mural project and its adjunct flower garden (more about that, later) were conceived by Allegheny College art professor Amara Geffen and Jack Molke, former Crawford County maintenance manager. The actual work was executed both by Allegheny College art students and the local PennDOT workers. It began back in 2001, but continued over many years until the entire maintenance yard fence was covered.

Meadville PennDOT sign sculpture fence detail of great blue heron

Great blue heron

From PennDOT:

The mural depicts life in Crawford County highlighting annual events such as the Thurston Balloon Classic and the Crawford County Fair. Local community landmarks such as the Crawford County Courthouse, Conneaut Lake Park, and Allegheny College’s Bentley Hall highlight the scene. The project depicts life in Crawford County with farm scenes, seasonal scenes and downtown Meadville buildings.

Meadville PennDOT sign sculpture fence of trees

Lane change ahead tree

What no set of photographs will accurately depict is the sheer immensity of this piece. The fence is well over human height and probably reaches up to ten or twelve feet. It stretches some 1,200 feet (approx. a quarter mile) down Route 322 and around the corner. The fence is at once a single continuous piece and also dozens of distinct interlocking sections that each bleed into one another.

Meadville PennDOT sign sculpture fence of singing cowboy on stage

Singin’ cowboy down at the (railroad) crossroads

There are broad strokes like rolling Crawford County hillsides and a series of sections devoted to (downtown Meadville?) storefronts. But the detail on the pieces is terrific with little touches that play with the recycled signage and “Easter egg” details that you’d never catch if you just did a drive-by.

Meadville PennDOT sign sculpture fence house

Bridge outhouse … or Bridge Out house

For all these reasons, it’s really worth parking and taking a walk down the full length of the fence and back. Then, like all great art experiences, you can cross the highway to Sheetz for some M.T.O. and group reflection.

Meadville PennDOT sign sculpture fence of Canada goose

Baltimore Life/Canada goose

Are the sculptures worth a trip from Pittsburgh? They’re pretty great, and no set of photographs is really going to do them justice, so we’d have to say yes. That said, combine them with the next time you’re heading to Erie, or Conneaut Lake, or are just making a run to Meadville’s own Voodoo Brewery and you’ll have yourself a fine combo for your Combos.

Meadville PennDOT sign sculpture fence of merry-go-round

Ferris wheel

Getting there: The PennDOT building and maintenance yard is on Rt. 322, literally just a minute (maybe a half mile?) from the Meadville exit off I-79. The sculptures leap out at you and go on for a quarter mile so you really “can’t miss it.”

Meadville PennDOT sign sculpture fence of clouds, rain, mountains, and tree

Art imitates life: rainy day scene

 

Frankie Files: Where’d You Go, Joe?

St. Michael Church, Munhall sans statue of Saint Joseph the Worker

St. Michael Church, Munhall sans statue of Saint Joseph the Worker

Superfan-turned-Munhall Bureau Chief Lee Floyd files his first story for The Orbit with a classic Pittsburgh who-done-it? and where-did-it-go? on a great piece of religion-meets-industry history from the former steel capital of the world.


As a tot, I was cruisin’ around Munhall in Cathy (my mother’s third-owner Cordoba) and watching the power lines move like waves with each pole we passed. Suddenly, I exclaimed, “There’s the Statue of Liberty!” Wrong state, wrong artist, wrong blog! I said it, and my family never let me forget it.

While he didn’t create anything quite as well-known as Lady Liberty, Frank Vittor (1888-1968), Italian-born sculptor and artist, has at least 50 works in and around the Pittsburgh area, including the prominent icons of Schenley Park and Bucco Field. The piece that many Steel Valley residents remember most-fondly is the statue of St. Joseph the Worker. High atop St. Michael’s bell tower, he was certainly hard to miss by anyone passing through the area.

Front of St. Michael Church featuring tympanum, figure in a niche, and rose window

Front of St. Michael Church featuring tympanum, figure in a niche, and rose window

The Slovak St. Michael Parish built the eponymous church in 1927. Though adorned with beautiful sculptures and architectural details, it was not until 1967 that the church acquired the statue of St. Joseph the worker for its impressive bell tower.

Six parishes, including St. Michael, merged to become St. Maximilian Kolbe in ’92. Eventually, the building closed beneath him and the statue ended its 44-year lofty exhibition in January 2010. Though he ended up about a mile away at the new home for the St. Max parish, some people may have thought he skipped town. Now I’ve heard that a saint’s feet don’t touch the ground, and while that my technically be true in this case, one could argue that his pedestal shouldn’t either.
Saint Joseph the Worker statue by Frank Vittor

Saint Joseph the Worker by Frank Vittor in its new location at St. Maximilian Kolbe

“After designing a six-foot-tall plaster model, Vittor sent it to the Bruni Foundry in Rome for casting in aluminum and then to the Vatican for a papal blessing by Pope Paul VI. The sculptor viewed this final statue as another permanent tribute to the working man that he so admired. When Vittor passed away two years later, his Saint Joseph the Worker capped a prolific career…” (Iorizzo, Rossi 153)

I can’t think of a better tribute to the working man of Pittsburgh than what appears to be ladles of molten steel dumpin’ dahn on the world with flames shootin’ aht da back. Typically Joe carries a small wooden L-square and a woodworking tool or staff of flowers. In this case, Vittor fitted him with a badass riveted bar of steel and modern working boots. Now you should also roll up your sleeves and get back to work.

Photos and text by Lee Floyd.

St. Joseph the Worker statue detail of steel cauldron

Why the equator is hot


An Orbit side trip: Reading Lee’s piece and seeing the molten steel pour down on the globe, we couldn’t help but think of one of our favorite, beautifully unfortunate corporate identities: Sherwin-Williams Paint’s old “Cover the Earth” image that perversely renders nearly the entire globe dripping with blood red Sherwin-Williams paint, as if this were an ideal world to strive for.

According to the Sherwin-Williams history/timeline, the concept goes back to the 1890’s, so we can’t claim they were biting Frank Vittor (although Frank may well have been aware of Sherwin-Williams). A special side note to this side trip is that “The paint…is not pouring over the North Pole, as we tend to assume, but over Cleveland, Ohio, the center of the paint universe.” No comment.

Sherwin-Williams "Cover the Earth" identity showing a can pouring dripping red paint on the earth

Sherwin-Williams “Cover the Earth” identity

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