Let’s Get Small: Parvaneh Torkamani’s Abstraction in Miniature

detail from miniature painting by Parvaneh Torkamani

Stream of consciousness abstract art with no end.” Detail from one of  Parvaneh Torkamani’s “A Thread in the Night” paintings

Get in close. Even closer. No, I mean take your glasses off and push your schnoz right into the screen.

There, in tightly organized brushstroke rows are multicolor clusters of dits, dots, dashes, and squiggles; abstract shapes that appear like sentence fragments in the calligraphy of an exotic language; hieroglyphic messages encoded only for the in-the-know.

Pittsburgh artist Parvaneh Torkamani has been painting in this style of miniature “stream of consciousness abstract art with no end” for nearly thirty years. You’ve got a rare chance to see her work on display–with a dance performance, to boot–this Friday, during the monthly Unblurred art crawl in Garfield.

artist Parvaneh Torkamani with wall of paintings

Parvaneh Torkamani with paintings in her home studio

On a page of a pocket-sized notebook, Torkamani has detailed an elaborate painted storyline illustrated in just the smallest gestures committed in silver acrylic paint. It’s a setup that reads like ancient history–or mythology, perhaps–Slave and Queen abut Slave with Child and Husband King. The action really gets going when Kimono clad princess stands on the back of a servant being coached by head servant, supported by other servants.

Yes: there is a lot going on in this little space and one definitely needs to use her or his imagination to see it come to life. Is the first-time viewer really expected to get all of this? Torkamani explains:

The viewer will see whatever they will see. Sometimes they will experience what I was seeing, but the art is more abstract than not. The idea sometimes gets lost in the abstraction, but I try to create an atmosphere.

detail from notebook of Parvaneh Torkamani

notebook detail

Resident Persian, the title of Torkamani’s show–as well as her Instagram handle–is “an ironic reaction to being surveyed for being foreign.” It’s also a very literal description of the Iran-born, U.S.-matured artist who has one foot each in these two worlds. Fluent in the languages of both nations, Torkamani’s English is delivered in a soft-spoken voice with the gentlest of Middle Eastern accents. Bon mots on “the arch of an eyebrow, the bend of a shoulder” seem to echo the subtle, suggestive forms of each connection between tiny brushstroke and frizzled paper target.

To this curious outsider, it is the artwork that reads as the most obvious reference to Torkamani’s Persian heritage. The delicate brushwork is nonrepresentational, but in its ordered, linear presentation, it can’t help but resemble the beautiful curlicue scripts of handwritten Persian, Arabic, or Urdu. Iran has a long tradition of miniature painting, but, according to Torkamani, “I don’t have that training.” We’re not so sure she didn’t absorb it anyway.

detail from miniature painting by Parvaneh Torkamani

detail from “A Thread in the Night” painting

While the tiny works of art in the “A Thread in the Night” series–each Cinemascope-shaped painting in the current show is around four inches wide by eighteen inches long–reward a very very close reading, they also work from farther back.

Torkamani might be insulted by the suggestion of these original pieces as purely decorative artwork, but it’s undeniable that they’d look fantastic in reproduction. In their linear patterns, interlocking script and ornament, alternating color and space there is a hypnotic quality that one can’t help but wish were blown up to wrap walls and make textiles, decorate pretty paper and hip upholstery, animate motion graphics across screens big and small.

detail from miniature painting by Parvaneh Torkamani

detail from “A Thread in the Night” painting

Obvious passions for Torkamani are the intertwined causes of homelessness and food insecurity. For the the Boom Concepts show there will be an installation piece consisting of cardboard and brown paper. On one of these is a poem titled “On Homelessness” dealing beautifully and bluntly with that subject.

Blasting winds of winter / Breaths of Hades / Penetration beneath clothes under skin / You whisper death is about as harrowing an opening salvo as this poetry-curious blogger has ever tripped across.

detail of poem about homelessness painted on cardboard

detail from Torkamani’s poem/installation “On Homelessness”

Torkamani hopes to raise awareness for these issues with the show. “To do art is to have a cause; art in a vacuum is nothing but vanity. I hope people who care about these causes will come out and help me start something,” Torkamani says, “With the help of volunteers who would tell me about food insecure people they know and those who would carry the food to them, I plan to be there for this cause.”

These are noble and ambitious goals–and it’s not entirely clear how they would come together. Sometimes, however, to go big, you need to get small.

artist Parvaneh Torkamani holding a painted canvas

Parvaneh Torkamani with a recent painting


Parvaneh Torkamani’s Resident Persian Project opens this Friday, March 1, at Boom Concepts (5139 Penn Ave., Garfield). The opening runs 7-10 PM with a special dance performance by Torkamani at 8:00. The show will be up for the month of March.

Behold the Hands of Holtz

Artist JR Holtz holding a painting of four women in bikinis

Artist J.R. Holtz with some of his sexy ladies

You may have run into J.R. Holtz just like we did (or do, quite often), out on the street. He sets up on Penn Avenue for the monthly Unblurred art crawls and every Saturday at the Artisan Market in the Strip District. At either location, you’ll find him camped out with an eight-foot folding table covered with dozens of his small- and medium-sized paintings. Each one comes in a repurposed picture frame–or even an entire wooden window–and they’re all for sale at extremely reasonable prices.

several small, framed paintings by artist JR Holtz

Holtz’ recent artwork for sale in the Strip District

J.R., who creates under the moniker Hands of Holtz, tells us he paints every day and he’s been at it since the mid-1980s. His subjects are all across the board: cartoon characters, superheroes, pop culture figures, nature images, family scenes, science fiction, and Pittsburgh sports. On our most recent visit, there were portraits of Prince, Jimi Hendrix, and Muhammed Ali; likenesses of Mighty Mouse, Captain America, and Wonder Woman. Several scenes from Star Wars made their way to Holtz’ glass panes, as had fad-du-jour Pokemon creatures.

painting of Prince in front of an open window with a purple sky and lightning by JR Holtz

Prince/purple lightning

2-color painting of Star Wars characters by JR Holtz

Star Wars

But let’s cut the crap: you’re going to notice the sexy ladies first. It’s hard to focus on Spider Man when there’s this much bare skin going around. Not since the glory days of Cinemax or those weird shaving cream ads they used to run during hockey games has there been semi-public soft-core erotica on display like this.

J.R. is the first to admit “I like the ladies!” and it’s safe to say he isn’t lying. There are strong warrior-princesses, tattooed big-boobed sports fans, tawdry hoochie-mamas, yoga posers with naughty underwear, and lots and lots of smiling, bikini babes–often with added glitter details and bonus Steeler emblems, just for good measure.

painting of woman wearing pink hat, gloves, boots, and skin-tight pants (but no shirt) bending over by JR Holtz

Pink Lady

Many of the images are taken from existing photographs, but Holtz says some of the ladies are friends who pose for pictures knowing they’ll be turned into future paintings. Individual requests and interests of the models are incorporated into the artwork, as are other extra bedazzled features including color-changing paints, glitterized jewelry, and inset photos.

I asked Holtz what the reaction is when unexpecting Saturday shoppers accidentally browse across the decidedly PG-13 content. “Some of them start walking real fast,” he chuckles.

Painting of man in 1970s clothes with caption "Back in the Day"

Back in the Day

J.R. describes his own artwork as novelty, and it’s tempting to overlook it as such. He paints directly on glass which gives the final images a glossy, finished look–almost like when you see framed “cels” from animation. The subject matter is as populist as it comes–you could imagine some of these pieces on sale in a turnpike gift shop. Matthew Barney or Damien Hirst, this ain’t.

But with the flat perspective, heavy black outlines, and single-color schemes, the end result reminds us of a different art superstar on the very other end of the spectrum, Howard Finster. Like Finster, Holtz’s style appears untrained or “naive”, but there’s a beautiful honesty to it–even when the subject is Jedi Master Yarael Poof*.

JR Holtz standing in front of his paintings for sale, Pittsburgh, PA

JR Holtz with more of his recent paintings, Strip District

Holtz is also one of the kindest and nicest artists you’ll meet. He wouldn’t ape for the camera, but don’t believe it–every time we’ve talked with him, J.R. is all smiles, high energy, positive vibes, and can’t wait to tell you about his work.

This blogger doesn’t know what he likes, but he knows art. We probably wouldn’t chose to decorate Chez Orbit with any of the beach babes–at least, we haven’t picked any of those up yet–but we especially love many of his portraits and simpler two-color work. When J.R. hits, it’s as serious as a heart attack and as true as an arrow.


* Not pictured, but among The Orbit‘s small collection of Holtzs.