Headless Boys and Two-Tone Stones: An Allegheny Cemetery Scavenger Hunt

detail from marble cemetery monument of carved family whose features have eroded
From grieving family to alien beings in just 150 years. One of many intriguing details in Allegheny Cemetery.

The family is gathered together in grief. Their roles are not entirely clear, but it appears we’ve got a husband and wife, several school-aged children, and a nanny tending to the youngest of the lot. There is also another, larger, man dressed formally in the kind of double-breasted coat-and-tails popular among the well-to-do of the mid-19th century. Even if the patriarch hadn’t quite literally lost his head (and portions of both arms) it’s probably safe to say he’s the reason the gang is all here.

The figures, intricately carved into an elaborate marble cemetery monument, don’t appear as they originally did 150 years ago. Like her father (or maybe it’s her father-in-law), mom is also sans-tête, but even more striking is the way the facial features of the entire group have been worn away, leaving a strange alien-like cadre–gaunt, ghostly, and zombified–but awkwardly dressed in Sunday-best human clothes with an out-of-place Greek temple in the background. It’s the perfect setup for a gothic sci-fi story.

large cemetery monument colored half black and half white
Breaking up is hard to do. The two-tone stone.

If you’ve spent any time at all within the beautiful boundaries of Allegheny Cemetery, you know its greatest hits: the rolling landscape, gangs of deer, and gaggles of geese; the Winter mausoleum, resplendent in faux-Egyptian glory, complete with a pair of guardian sphinxes; elegant–if, endangered–stained glass; the hokey Jaws-inspired “shark grave”; Orbit favorite Steelers stones; final resting places of famous (at least, Pittsburgh famous) people like Stephen Foster, Josh Gibson, Lillian Russell, and Stanley Turrentine. The list goes on …

But for those of us who spend enough time in the cemetery to, you know, “check the pulse,” there are so many more fascinating details to this 177-year-old burial park that we thought we’d put together a scavenger hunt for those who might be looking for an excuse to get out and poke around.

Below is a collection of favorite oddball, accidental, and unexpected elements from Allegheny Cemetery’s 300+ acres that we offer up as a fun, we-still-need-to-be-Covid-safe outdoor hunt for the curious. Much like an office visit with Dr. Love, there are neither bills nor fees for participating. There is also no time limit and the only reward is the satisfaction of getting out there, stretching the legs, and doing the thing–but that’s a fine way to spend a sunny spring afternoon.

Happy hunting, y’all!

grave monument statue of boy, whose head has been severed
The headless boy

We’re four photos in, and already down as many noggins. The ornate colliding with the real world never fails to generate interesting anomalies. Statues carved from stone that have lost fingers, whole limbs, and yes, their entire cranium are always something to see–and Allegheny Cemetery has plenty of these–but we thought we’d call out two evergreen favorites.

The headless boy (above) sits among a circle of similar–but still intact–statuary in a glorious part of the cemetery, reliably basking in fine views and peaceful tranquility. By contrast, the bird’s nest monument (below) is always a hive of activity as a family of sparrows almost always take up residence under the structure’s partial roof, atop the cloth-draped column by the headless woman. Yes, again with the science fiction, but it’s almost as if the lady’s brain has been transformed into a bird’s nest that her decapitated body must now lean in close to communicate with.

intricate stone cemetery memorial including a female figure missing her head and a real bird's nest
The bird’s nest monument
cemetery memorial featuring fireman's hat and hose carved from stone
Get hosed: the fireman’s memorial

Hat ornaments! There are many markers that incorporate iconography of the service their occupants pursued, but we particularly like the fireman’s memorial (above) with its old-school pointy hat-helmet and large firehose nozzle.

There are plenty of military veterans buried at Allegheny Cemetery, but few got the Union soldier’s hat + crossed cannons and cannonballs treatment of this fellow (below).

detail from Civil War soldier's gravestone featuring hat, cannons, and cannonballs
Union soldier’s hat, cannons, and cannonballs
detail from cemetery monument featuring chiseled gears/machine imagery
Modern Times: a stone age machine

Most of the big cemetery obelisks are pretty plain. Shaped like mini-Washington Monuments, their whole thing is to be big and simple. But we love the detail on this one (above) where a stonemason has carved an incredibly intricate fantasy machine full of gears, engine belts, flywheels, an anvil, tools–you name it. Its an abstracted imagination of what a fully-mechanical factory might look like. It probably bears little resemblance to real life (even the real life of a hundred years ago) and more to the satire of Chaplin’s Modern Times vision of innovation-run-amok.

handmade grave sculpture of young boy's head and torso
The bronze toddler, avec tête

Orbit whisperer Paul Schifino pointed this one out to us, and we’re glad he did. While including statuary of a young child isn’t all that rare (especially when the deceased died young), this one appears to be a bonus, add-on stone to a much more traditional marker. The bronze (?) head and bust was clearly handmade by an artisan and features the flat back of a piece that had previously been mounted … somewhere else. Who’s the kid? Where did he come from? We don’t know!

large family grave marker carved to look like tree trunk
The Wilkins family tree

One of the holy grails for American taphophiles are the monuments created by the Woodmen of the World. That mysterious fraternal order/life insurance society provided stones carved to look like tree trunks with severed limbs for just a few decades at the turn of the 20th century.

The Wilkins family tree (above) is not one of these (at least, it doesn’t bear the WOTW insignia)–nor are there any in Allegheny Cemetery as far as we can tell. We have reached full-on obsession with finding some–heck, finding one. [Side note: if you know of any Woodmen of the World markers in greater Pittsburgh, please let us know and we’ll be on the road faster than you can say Dum Tacet Clamet.] Regardless, the Wilkins didn’t skimp when it came to ordering up this extra-large trunk with a dozen or so names carved into the severed limb stumps.

grave monument featuring two large books, opened to middle pages
Pick up a couple good books

We love this pair of open book memorials. It would be interesting to know the title of a couple good books (above). History would suggest they’re probably two matching Bibles, but with all detail worn away, they could as easily be Lincoln in the Bardo and The Lovely Bones. Let’s hope it’s something good, because they’ll be here a while.

No mystery with this one, though. The square and compass insignia tells us a Freemason planted this stout stone dais with an open book and the two aforementioned tools acting as bookmark. Around the base (not pictured) is additional iconography–a Star of David, cross, etc.

stone memorial featuring a book with the Freemason's square and compass symbol
The square and compass: the book of Freemasonry.
detail from George Hogg's grave monument, colored green by oxidized copper in the stone
Going green: George Hogg’s multi-hued monument

Cemeteries–all cemeteries–are dominated by the color gray. Grave markers, large monuments, cenotaphs–they all live somewhere in the very limited spectrum of dirty white to not-quite black. It’s why the larger environment looks so great among the turning leaves of fall and against the green grass of spring; it’s why they look so stark within the equally monotone grays of winter.

Green also appears every once in a while in the stone itself. The Orbit doesn’t have a resident geologist/chemist, but our understanding is that this is the result of some mineral (copper, probably?) oxidizing over its decades exposed to the open air.

Many individual markers and statuary have streaks of iridescent green in their surfaces, but none moreso than the big memorial for George Hogg (above), which has completely mutated into a psychedelic light show of rich, emerald greens, electric neon blues, and washed-out pale cornflower.

stone grave marker that appears to appears to be melting
Hello, Dali. My Angel Lilla, the melting monument.

A couple oddballs here. My Angel Lilla (above) is nothing special but for the way time and tide have created this weird distortion in the lid. Did some imperfection in the stone cause it to … melt? Does that really happen to rock?

What the artist of the salt and pepper shakers (below) was going for might have been more obvious when it was installed and the details were sharp, but by now it’s a total mystery. Are those columns? cannons? some kind of industrial product? And what is binding them–vines? rope? chains? Heck, we’ve got today’s writing prompt for you right here.

cemetery monument with unusual design featuring two columns connected by other material
The salt and pepper shakers: twin columns of mystery.
grave marker with custom design depicting the Pittsburgh neighborhood of Lawrenceville as cartoonish line drawing
Lawrenceville in line

Generally the newer-style, glossy black headstones with etched-in details just look too shiny and too computer-generated for these old blogger’s eyes. But we love this view of ninth-ward Lawrenceville–the 40th Street Bridge and Heppenstall mill in the foreground, the chock-a-block row houses rising above–as seen from the top of the hill, across the river in Millvale. Maybe it’s just because we like the art better or because this was obviously a Lawrenceville (after-)lifer, but this speaks more about the person than all those clip art shovels and Steelers emblems and musical notes we see on its sister stones.

grave marker featuring odd, round, ball-like stone
Have a ball with Bailey Balken’s big brown ball

Bailey Balken went rouge when s/he went out (above). Not afraid to mix media or typefaces, Balken’s marker includes a pair of flat marble stones inside a brass plaque laid atop a just-a-size-larger granite slab. That alone won’t get you in the Orbit scavenger hunt, but the volleyball-sized round rock inserted into the middle will. Looking like a rising loaf of rustic Italian bread, it’s unclear what Bailey was after … unless it was some kind of play on ball/Balken. Who knows?

We imagine Thomas Bowater (below) must have been an engineer, or a machinist, or something in that world. That seems the most likely explanation for including a rolling axle/cog/gear as the prominent feature in a gravestone that looks like it came right off the shop floor. This rock rolls.

stone grave marker featuring large spinning machine part
Rock and roll. The Bowater rolling axle/cog/gear grave.
ornate gate-like entrance to empty cemetery plot
The Gates to Nowhere

These gates don’t really lead to nowhere–there’s actually a nice, circular plot back there–but the family clearly didn’t get the buy-in they were expecting from the rest of the crew, which left the space largely uninhabited. The result is a pristine little plateau with a great view across the river, down and over the rest of the cemetery, and up to Garfield–all with the ornate decorative blackened stone portico that says to the world you’re here–but we don’t know why.

Where Do Gravestones Go To Die?

sculptural detail of family with features worn away on marble grave monument, Allegheny Cemetery, Pittsburgh, PA

This one’s not going anywhere…until it does. Marble monument detail, Allegheny Cemetery

Generally, when one plants a couple thousand pounds of hard stone it stays put…but not always. With around 134,000 long-term residents over 300 acres of land, Allegheny Cemetery would make up one of the larger neighborhoods in the city all on its own. Some of these folks–dead or alive–are going to move around.

There are all sorts of reasons for this: separately-buried individuals are consolidated in family plots, a spouse chooses to spend eternity next to the husband or wife who departed first, buried caskets are migrated into a mausoleum, bodies are disinterred to other facilities across town or way out-of-state.

marble grave monument with details eroding, Allegheny Cemetery, Pittsburgh, PA

Last week we ran the story “A Graveyard for Gravestones”–a look at the strange world created by a cemetery’s recycling lot. It was meant as humorous look at an unusual, fascinating scene, along with a polite nudge at one of our favorite places in the world to clean up one of its (very few) rough edges.

We had no idea about the reaction this story would generate. Within hours of its initial publishing we heard it from all sides: the cemetery felt it had been misrepresented, neighbors got wild ideas about what was going on within its stone walls, readers called it “nuts”. At the mere suggestion that retired grave markers might find a reuse outside of the cemetery we were tarred as “grave robbing” and “the lowest of the low”.

SO, in this most teachable of moments–for us here at The Orbit along with our readers, neighbors, and anyone else who’s ever wondered about the behind-the-scenes workings of a large, historic cemetery–we talked briefly with David Michener, a man who knows his stuff as president of both Allegheny and Homewood cemeteries.

simple headstone with three names, Allegheny Cemetery, Pittsburgh, PA

Shared (replacement) grave marker, Allegheny Cemetery*

First of all, the vast majority of items that have ended up in the cemetery’s recycling area are not grave monuments. In the piece, we mention “dozens of…gravestones”, which is accurate–there are maybe 30 or so total stones currently retired to the lot. But the stacks of other material in our photos could be misconstrued as many more.

“Ninety percent of what’s [removed/recycled] is foundation,” says Michener. Foundations are, as the name implies, poured concrete structural elements that are buried under the surface and used to anchor the visible, sculpted portion of the monument. As markers are removed, so is the foundation, and it all ends up in the same place.

broken porcelain doll on base of marble grave monument, Allegheny Cemetery, Pittsburgh, PA

“For dust thou art, and unto dust shalt thou return,” goes the passage from Genesis. It turns out this applies to retired monuments as much as expired human beings. As we saw, when a grave marker has reached its, ahem, “end of life” (sorry) it is removed by the cemetery’s grounds crew and taken to a kind of purgatory in the recycling yard. At this point, when the stone has been divorced from its grave and retired from service, it will eventually have any identifying information (the deceased’s name) ground down, defaced, or otherwise removed.

“At that point,” says Michener, “they’re just stones.” Allegheny Cemetery does all it can to recycle these no-longer-used materials into its own infrastructure projects–they’re deployed as foundations or supports and added as clean fill to stabilize land areas.

As for why there is an obvious delay in processing the retired markers, Michener says, “Our concern is taking care of the place where burials occurred and not our recycle yard.” Anyone who’s ever visited Allegheny Cemetery’s immaculate landscape knows this is true.

granite headstone with names for "father" and "mother", Allegheny Cemetery, Pittsburgh, PA

Two become one: shared (replacement) grave marker in Allegheny Cemetery*

A couple of the more outrageous criticisms we heard were that families would be shocked to find out the state of their loved ones’ markers and would want to be notified so they could come pick them up. “They just need the descendants of the original owner to pay the cemetery to have them put back”, was one statement. All of these are patently false.

First, families are the only ones making the decisions on the movement of graves and retirement/replacement of grave markers. “We never–by our own volition–remove a monument”, says Michener. If a gravestone has ended up in the recycling yard, it was at the request of the family.

Second, grave markers weigh from hundreds to thousands of pounds. No family takes mom’s granite stone home in the trunk of their Buick. “They are entitled to them–they own them”, says Michener, but do families ever claim the marker as a memento? “Very very rarely.”

grave monument featuring two sculpted figures with both heads broken off, one of them has a bird's nest where the head would be, Allegheny Cemetery, Pittsburgh, PA

To sum up: most gravestones are going to stay right where they are until they crumble to dust all on their own. A very small proportion of them will be removed and retired at the behest of the deceased’s loved ones. If the family declines ownership–which is what happens almost every single time–the cemetery takes ownership of the monument and processes it back into raw material to be born again. May we all be so lucky.


* The identifying information [surnames] on these monuments have been intentionally obscured in the photographs at the request of Allegheny Cemetery.

Sudden Death, Over Time: Steeler Graves

gravestone with Pittsburgh Steelers football helmet, Allegheny Cemetery, Pittsburgh, PA

Robert K. James, Allegheny Cemetery

In the great Autumn campaign that is each of our lives, we’ll inevitably begin to feel those last seconds of the final game tick off the clock. We can all hope to make it deep into the playoffs–heck, some may even get lucky enough to reach this preposterous metaphor’s Super Bowl. But even with the very best “clock management,” we’re all heading toward a long long off-season in the sky at some point.

matching graves with Steelers logo, Allegheny Cemetery, Pittsburgh, PA

Stacy and Stephen Slanina, Allegheny Cemetery

Forever, the Purple One reminds us, is a mighty long time. It’s likely, though, that The Prince was not thinking about funeral arrangements when he urged us all to “go crazy.” So I’m sure it’s with no small amount of consideration that most folks choose the design and ornament of a gravestone–either for oneself (if he or she likes to plan ahead) or for the loved one the family is burying (more likely?).

Why, there’s the stone itself, available in any number of shapes, sizes, finishes, and flourishes. There’s the text–a full name, sometimes with a favorite nickname, birth and death dates*, and then any manner of other possibilities: pithy epitaphs, Bible verses, embedded portraits, etched images both representational (occupations, avocations) and ornamental (flowers, angels, religious insignia).

grave marker with Steelers logo, St. Michael's Cemetery, Pittsburgh, PA

Jack W. Springer, St. Michael’s Cemetery

If the deceased happened to champion a particularly well-loved, black-and-gold-hued eleven, chances are maybe better than you’d think that the emblem of said N.F.L. franchise will end up etched into his or her headstone. This act of committing and commemorating the deceased to eternity as a devoted Steeler fanatic lets the living know that while still tripping on this mortal coil he or she bled (hopefully not, you know, all the way out) black and gold.

gravestone with Pittsburgh Steelers flag, Allegheny Cemetery, Pittsburgh, PA

Marie and Jim Coyner, Allegheny Cemetery

It’s a curious choice. Steelers fans would never admit it, but sports franchises are transient things. Pittsburgh has been fortunate to never have one of its teams skip town, but we’re only 80-some years into professional football history–there’s still a lot of time for a lot of things to happen.

Are there graves in Baltimore or Brooklyn or Hartford with Colts, Dodgers, and Whalers logos carved into them? I doubt it, but only because those moves all happened before the relatively recent phenomena of having one’s passions preserved in stone**. But what about St. Louis–are there fresh graves just set with Rams insignia marking them? Possibly…maybe even probably. What an indignity to give one’s afterlife to a team that just high-tailed it back to Los Angeles.

gravestone with Pittsburgh Steelers logo, Allegheny Cemetery, Pittsburgh, PA

Roman L. Bryant, Allegheny Cemetery

It makes you wonder if this happens everywhere. This blogger can certainly imagine the same level of devotion from fans of the Boston Red Sox or Montreal Canadiens or Green Bay Packers. But what about Cleveland or Cincinnati? They’ve got their own rabid fans, but are there Browns and Bengals graves? We sure hope not–life on earth following these teams was already Hell, why take that misery with you?

upright gravestone with Steelers logo, Highwood Cemetery, Pittsburgh, PA

Frederick J. Brown, Highwood Cemetery

What about even more marginal sports territories? Is there anyone in Seattle or San Jose that cares enough about the Seahawks or the Sharks to tattoo it on a gravestone? Does most of North Carolina, Florida, or Texas even know they have hockey teams? What monument maker could carve the offensive Cleveland Indian or Washington “redskin” into stone in good faith? I don’t even want to look at the terrible Anaheim “mighty duck”, let alone get buried under it.

gravestone with Pittsburgh Steelers logo, Allegheny Cemetery, Pittsburgh, PA

Jeffrey L. Turner, Allegheny Cemetery

All that said, the good people of Pittsburgh are quite comfortable with this option. It wouldn’t be my choice, but I’m glad it is for some. Studying the cemetery is like anything else where we see changes in culture reflected over time. In many ways, future generations will know more about us now from these Steeler graves (as well as the other custom designs and embedded images) than we can derive from their much more opulent 19th century ancestors. At least, they’ll know we (Pittsburgh) sure liked football. On that, they’ll be correct.

gravestone with large Pittsburgh Steelers football helmet, Highwood Cemetery, Pittsburgh, PA

Kevin Washington, Sr., Highwood Cemetery


* Coming across the occasional stone with no death date is always intriguing. We assume these are just folks who plan farther ahead than Orbit staff, but you never know.
** You’ll note that all photos are from graves dating from 2002 onward. We don’t know when monument makers began offering these kind of options, but almost all of the custom personal interest imagery seems to come from the 1990s-present.

Allegheny Cemetery: Mausoleum Stained Glass

mausoleum stained glass with pentagram, Allegheny Cemetery, Pittsburgh, PA

Sproal-Splane

Seeing the world through the Orbit eye. Those words came to us a while back from superfan Lee, and we accept it as the ultimate compliment. Lee still requires corrective eyewear–so be warned that Pittsburgh Orbit is no substitute for Lasik–but we think we know what he was getting at.

If Orbit “reporting” has taught us anything at all, it’s to always take another look. Lose the expectations and open up the senses. Point those peepers everywhere you can: down the alley, around the corner, on the pavement, up in the telephone wires, and through the crack in the window. Like Irene Cara said: take your pants off and make it happen. What a feeling, indeed.

broken mausoleum stained glass with sitting woman and field of flowers, Allegheny Cemetery, Pittsburgh, PA

James M. Miller

mausoleum stained glass of oil lamp hanging in arched window with columns, Allegheny Cemetery, Pittsburgh, PA

Unknown (possibly Krey, based on nearby cenotaph)

One of those spots, attentive Orbit readers will have anticipated by now, is through the thick barred grates, cobwebbed glass, and musky air of the ornate mausoleums at our historic cemeteries. Pittsburgh is sitting on a bunch of these.

This blogger has walked through, bicycled around, picnicked in, and shutterbugged Allegheny Cemetery literally hundreds of times over the last couple decades. Allegheny’s collection of mausoleums isn’t quite as spectacular as the rock star ones we toured with Jennie Benford last year at Homewood, but it’s nothing to scoff at.

The mausoleums act as both beacons and exclamation points on the rolling landscape and much of the art deco and faux-Egyptian architecture is really astounding. But for whatever reason, we rarely ever took the opportunity to shade the eyes and poke the schnoz in to check out the interior spaces.

mausoleum stained glass with angel, Allegheny Cemetery, Pittsburgh, PA

Unknown (detail)

mausoleum shelves with trophies in front of colored glass, Allegheny Cemetery, Pittsburgh, PA

Sheets

I’ll tell you: it’s not an easy thing to do. The average mausoleum–in Allegheny Cemetery, at least–seems to have a pair of thin, highly-decorated entry doors, each behind some version of vertical iron bars or decorative scrolled metalwork. Half the time, the original door locks are still in use, if not, there’s an awkward after-market steel chain and padlock lashed around whatever it can grab ahold of.

If you can see much inside, it’s typically a narrow passage, just wide enough for a person to turn around in, flanked by the celebrated residents’ crypts. Sometimes there’s just one of these on either side; others are stacked floor to ceiling. At the rear of almost every mausoleum is a stained glass window providing the only natural light outside of the shaded entry doors.

So to look inside a mausoleum is to peer through several layers of obfuscation, from the outside daylight into a darkened interior that may have had a hundred years since its last human visitor.

broken mausoleum stained glass with architectural design, Allegheny Cemetery, Pittsburgh, PA

King

mausoleum stained glass with angel in green tunic, Allegheny Cemetery, Pittsburgh, PA

Wettengel (detail)

And what do we get to see in the stained glass? In a word: flowers–lots and lots of flowers. Flowers in vases, flowers in gardens, ornamental flowers, and flowers held by angels; lillies of the valley and daffodils of the foothills. We only included photos for a few of these; the flowers are quaint, but they’re just not that exciting.

Beyond the flora, however, there’s some pretty neat stuff. An old-school oil lamp dangles under an arched cathedral window with ghostly leaf shadows backlit from the outside; angels appear with painted-on faces, doe-eyed and calming; and, of course, in that chestnut of mortal symbolism, the sun sets over and over again in Mausoleumville.

There are also the broken panes. Windows whose heavy weight, coupled with a hundred years of un-climate-controlled Pennsylvania weather, eventually overburdened the lower sections. Individual colored pieces have popped out and cracked, leaving the windows looking like incomplete paint-by-numbers; the unimpeded sun’s glare the brightest element in the tiny space.

broken mausoleum stained glass with arch and white flowers, Allegheny Cemetery, Pittsburgh, PA

Lillian Russell Moore

Is it worth a trip? Well, Allegheny Cemetery is absolutely worth all the time you can give it–even if you don’t want to squint into (silent film star) Lillian Russell‘s final repository. But while you’re there, yeah, you should neb into whoever’s crypt you can. The Sheets and the Kreys and the Sproal-Splanes don’t seem like they’re coming around anymore, but don’t worry; we’ve got that Orbit eye looking out for them.

On the Trail of the Wild Pawpaw, Part 1: Way Down Yonder

hillside and trees overgrown with knotweed, Pittsburgh, PA

Panther Hollow hillside. Do pawpaws live here?

This blogger has it bad. Pawpaw fever, that is. The old scout song makes gathering pawpaws sound so easy. Pickin’ up pawpaws, put ’em in your basket…way down yonder in the pawpaw patch. Nothing to it, right? Just head down to the ol’ pawpaw patch–the damn things must be everywhere. Yeah? Well, it’s not quite that simple. 

It started so innocently, almost a year ago. A chance encounter with Andrew Moore, the pawpaw expert who literally wrote the book on “America’s forgotten fruit”[1]. In that conversation, I learned that I had just missed the 2015 season, which was frustrating, but certainly something to look forward to. That pawpaw trees (and their fruit) grow wild and plentiful in our region only made the pursuit more enticing. Could The Orbit locate publicly-accessible fruiting pawpaw trees right in the city? We set our sights on finding out.

five wild turkeys crossing a gravel road, Pittsburgh, PA

Q: Why did the wild turkeys cross the road? A: We don’t know, but they didn’t find any pawpaws. Allegheny Cemetery

So I waited. Eleven long months counting down to pawpaw season[2]. I read Moore’s book, which only intensified desire. Pawpaws are among our oldest heritage foods–eaten by natives, colonists, and western explorers. The trees grow wild through a wide swath of the eastern half of the United States, but they’re amazingly foreign to most Americans.

The fruit is loaded with vitamins and minerals and is credited with treating diseases from gonorrhea to cancer. And, of course, it’s supposed to be delicious. The flavor is most often compared to something between banana and papaya, often with “caramel notes”, and a pleasing custard-like texture. Hungry yet? Yeah, me too–and you haven’t been waiting a year to get a taste!

Friends, neighbors, The Internet were all polled: Do you know any pawpaw patches in Pittsburgh? People tried to help, but like marrying a prince, or profiling serial killers, one has to sift through a lot of bunko anonymous tips to kiss the right frog.

Alley intersection with street sign marking "Pawpaw Way", Pittsburgh, PA

No pawpaws here. Pawpaw Way, Hazelwood.

“There’s a stand in Highland Park by the reservoir,” read the first to arrive. The search was called off before I’d left the house. “Sorry for the false alarm,” the coming-clean tipster filled-in later, “they’re actually horse chestnuts–no pawpaws here.”

Another spoke to rumored pawpaws by the Stanton Heights community garden. I climbed most of that big hill in a low gear, traipsed through the woods, and talked to an Allegheny Cemetery groundskeeper and some Saturday morning gardeners. Sadly, no one knew anything about pawpaws…or at least, no one’s talking. We did happen to cross paths with a rafter of wild turkeys[3], which seems like a decent trade-off.

A third offered pawpaws along the North Side bicycle trail, just as you get off the ramp to the Washington’s Landing bicycle/pedestrian bridge, but it wasn’t happening. There were even more vague directions for entire neighborhoods: “South Side Slopes” and “Panther Hollow” and “on the hill behind Phipps (Conservatory)” and “Frick Park, along the trails”. It’s no surprise that none of these panned-out, but people have got to be a little more specific–we’re racing against time here! Little Pawpaw Way in Hazelwood is six kinds of overgrown, but not with its namesake tree, which is nowhere to be found.

close-up of pawpaw fruits and leaves from a tree, Pittsburgh, PA

First sighting: two fruits of the pawpaw tree

So, empathetic readers will undoubtably understand what a thrill it was to finally lay eyes on the big, tropical leaves of the first pawpaw trees we actually found. There, just feet from a trail in Schenley Park, were tall, mature, big-leafed trees–much larger than I’d expected, but unmistakable after so much preparation.

A scurried hustle off the path and down into the fabled pawpaw patch. Trees–from tiny infants to mature thick-trunked giants–in every direction and continuing far back into the wood. It is glorious, cool in the near full tree cover, soothing, airy, and private.

Seeing no fruit, we began to shake the trees small enough to wrap a hand around. Ripe pawpaw fruit should fall from a shaken tree, but none did. We continued on, deeper into the understory. And then, there they were: a pair of oblong, fist-sized, and potato-shaped green fruits joined under a leaf section. Looking around, another cluster, and then another. Some of the pawpaws low enough to touch, others many feet out of reach. We were finally, unequivocally, in the right place…or were we?

Two clusters of pawpaw fruits hanging from pawpaw tree, Pittsburgh, PA

Double clusters: pawpaw pawpaw.

Will our blogger ever achieve sweet relief beneath the leaves? Does the peculiar pawpaw please the palate or merely maim the maw? And With fruit in hand, what’s the plan, man?

I’m afraid, dear reader, this blog post must end on the kind of nail-biting cliffhanger one would expect, nay, demand from a story about foraged fruit. We get to all that, however, in Part 2 of On the Trail of the Wild Pawpaw.


[1] Andrew Moore, Pawpaw: In Search of America’s Forgotten Fruit (Chelsea Green Publishing). More of Moore in Part 2.
[2] Pawpaw fruit is ripe enough to pick roughly for the month of September in western Pennsylvania’s climate zone.
[3] Yes, rafter is the term of venery for turkeys.

Sad Toys: Graveyard Edition

pink teddy bear leaning against gravestone

Pink bear, Highwood Cemetery. [Yes: for a sad toy, this guy looks pretty happy–but don’t let that grin fool you!]

The grass-is-greener daydreamers that loaf around Pittsburgh Orbit’s office imagine there’s a point in any blog’s creative arc when the pieces begin to fall together without even trying; when the self-referential tropes loop in on themselves. Like a well-primed compost heap, or a nuclear meltdown, heat is generated all on its own and the stories pop out as fully-formed posts, and then barrel their way through the earth’s core.

“Imagine”? Hell: we’re counting on it! By one reasonable calculation, mere months separate the Orbit from magically appearing on your computer screen without any legwork or finger-clicking on our part. There’s Yoo-hoo in the fridge, call me if you need anything–just don’t interrupt my Rockford Files.

four plastic action figures in weeds in front of gravestone with date and epitaph

“Our Beloved Son”. Superheroes in the weeds, Highwood Cemetery

Whatever the reality of “publishing” “new media,” we don’t think we’re abusing too many metaphors to say there was some kind of magic that happened when this little piece of manna dropped from the sky and rolled across the Orbit editorial desk. There it was: a story with all the ingredients for the most satisfying of autumn blogging stews: a heaping helping of cemetery tales, a motherlode of sad toys, a dash of pathos, some human expression, and nature-without-man chaos. Bitter, sweet, and yes, umami. Oh, and it was all timed for Halloween season–when the graveyard toys rise up to take back what is rightfully theirs.

2 teddy bears in thick grass

Twin teddy bears, Allegheny Cemetery

To label stuffed animals left at grave sites as “sad toys” is certainly a judgement call. These creatures are not flotsam dropped from strollers or ejected from the open windows of minivans. No, the figures were left very intentionally as tribute or companion to the departed. In that way, they’re exactly where their owners expect them to be, doing just what they intend them to do. Is that so bad? We should all be so fortunate.

grave with teddy bears, solar lights, and deflated champagne bottle balloon

Sad teddy bear, sad cool bear, sad inflatable Cristal bottle, Allegheny Cemetery

stuffed animal dog on bed of plastic flowers, Allegheny Cemetery, Pittsburgh, PA

Game over, Rover, Allegheny Cemetery

But to not call them sad would be an even greater oversight. These playthings are, after all, left out in the rain, ice, and snow; their once-soft fur a gnarled, sun-bleached mat. Often alone, these fierce friends watch over the graves of the deceased with no company but the occasional stray deer, opossum, or wild turkey. A drive-by from this flash bulb-popping blogger paparazzi makes the highlight reel of their short lives.

If this wasn’t pathetic enough, these toys’ inevitable fate is to be corralled in every cemetery’s seasonal cleanup where Build-a-Bears and Steeler monkeys join the plastic flowers, laminated photographs, sports balls, Hennessy bottles, and deflated Mylar balloons in grotesque heaps that, as one Orbit pundit put it, “look like a florist threw up.”

stuffed bear and stuffed dog with flowers

Bear and dog, Highwood Cemetery

two plastic action figures with living flowers

Wrestler (?), stunt man (?), last-legs flowers, Highwood Cemetery

To you, faithful servants, doomed sentries of the cemetery, mud-soaked minions of Mordor: know that at least one of us is here looking out for you. You may be in a trash compactor in McKees Rocks by the time we go to press, but you’ll live on for eternity–or at least a couple months–in cyberspace blogosphere Purgatory. Godspeed.

monkey in Pittsburgh Steelers colors with sad bear

Steeler Monkey and friend, Highwood Cemetery

Allegheny Cemetery: Halloween Graves

Graves decorated for Halloween, Allegheny Cemetery, Pittsburgh, PA

Spiderland: Halloween grave at Allegheny Cemetery

Every October people put great energy into making their homes look like graveyards. The ubiquitous R.I.P. curved-top cardboard or foam-core headstones dot America’s front yards like popped toasters at a diner. In city neighborhoods, sometimes you see these incongruously strapped to stoops and front railings as if somehow there were people buried under the porch.

So in real graveyards, what’s the motivation to add additional set dressing to the already universally-understood scariest of locales? Decorating a grave marker for Halloween strikes this spookworthy blogger as somewhere between questionable in the taste department and just plain redundant.

I’ve checked the dates, and none of the deceased were ever either born or died on the thirty-first of October, so that’s not it. One can only assume then that either the holiday had a special significance for the departed, or that the grave-tenders are so faithful they give the full redecoration treatment every season. I’ve certainly seen the other holidays represented throughout the year (but not at these specific graves).

Grave decorated for Halloween, Allegheny Cemetery, Pittsburgh, PA

Sauerwein grave, 2013

Graves decorated for Halloween, Allegheny Cemetery, Pittsburgh, PA

Sauerwein grave, 2014

grave decorated for Halloween, Allegheny Cemetery, Pittsburgh, PA

Sauerwein grave, 2015

Whatever the reason, the phenomenon of Halloween-decorated graves occurs every year in Allegheny Cemetery. There aren’t a ton of them, but enough that’s it’s definitely a thing.

Above are photos from the the same plot over the last three Octobers. You’ll see a number of repeated pieces–the big gray plastic gargoyle, the 2-D Jack-o-lanterns, the solar lights, the homemade ghost, the Trick-or-Treat grave and ghoul combo–but a lot of the decor either didn’t make it back or had to get re-generated. The park has a strict fall cleanup policy (more about that later) but they seem to leave the Halloween decorations alone, at least through November.

fresh grave with Halloween skeleton decoration, Allegheny Cemetery, Pittsburgh, PA

Boo Blvd.

Google Maps tells us there’s a Boo Avenue in Kansas City, a Boo Street in Louisiana, and a couple Boo Roads in Mississippi and Indiana. There are apparently more Boo Lanes than any other type of Boo thoroughfare.

But Pittsburgh Orbit readers will be excited to learn that the nation’s one and only Boo Boulevard exists right at the end of this freshly-dug grave in Allegheny Cemetery’s section 61. A cloaked skeleton hangs on a old school gaslight to mark the entrance.

Grave decorated for Halloween, Allegheny Cemetery, Pittsburgh, PA

Carl Walzer: bad to the bone

Grave decorated for Halloween, Allegheny Cemetery, Pittsburgh, PA

 

The Over-the-Wall Club

Bloomfield rowhouses seen over a wall

Bloomfield

What’s on the other side?

The question that drove thousands (millions!) of seekers–from Lief Ericson and Amelia Earhart to Harry Houdini and Charlie Sheen to that darned chicken.  What’s on the other side?

Walls make us wonder all the time, especially those that give just glimpses above of what might be masked below: treetops, a roofline, hillside, telephone wires.  What’s going on over there? Who’s in there? Is the grass really greener?

Photographically, they’re strange creatures. There’s very little visual action in a wall (depending on the wall), and you probably wouldn’t want to only look at a just a plain old wall. But what if it bisects a scene into neat geometric chunks: bands of near and far, light and dark, patterned and dissonant.

The Over-the-Wall Club meets irregularly to share photos of their findings, gulp coffee, inhale paint fumes, stare over the wall, and ask the question one more time: what’s on the other side?

Corrugated metal wall, Lawrenceville

Lawrenceville

Leslie Park Pool, seen over the pool wall

Leslie Park Pool, Lawrenceville

Troy Hill, seen over a wall

Troy Hill (from the Strip District)

Lawrenceville row houses from Allegheny Cemetery

Lawrenceville (from Allegheny Cemetery)

ALICE IN WONDERLAND, W.C. Fields, as Humpty-Dumpty, 1933

The Over-the-Wall Club’s most famous member

Allegheny Cemetery: The Shark Grave

Shark grave marker, Allegheny Cemetery, Pittsburgh

Lester C. Madden: Korean War veteran, Jaws fanatic

Allegheny Cemetery is as vast as the largest of Pittsburgh’s city neighborhoods, occupying some three hundred acres.  There are well over a hundred thousand permanent residents on site, some going back to the French and Indian War.  These include titans of industry, mayors and congressmen, silent film actress Lillian Russell, baseball great Josh Gibson, and the father of popular music, Stephen Foster.  With any luck, The Orbit will get to all these folks at some point in future.

Possums, squirrels, field mice, and scores of deer scurry about when the rare visitor is encountered.  Thousands of blackbirds haunt its treetops, moving in coordinated squadrons.  Its steep hillsides, dramatic views, and gentle sweeping passes rival any of the city’s great parks, but it’s rare to encounter even a single other living human, making it unique for its solitude.

As one may imagine, it also has many curiosities.  One of the most interesting (and out-of-place) is “the Shark Grave” of one Lester C. Madden (1931-1983).  I won’t pretend that I did any more digging than a Google search, which merely turned up the two facts that Mr. Madden was a veteran of the Korean War, and that indeed, he was a great fan of the 1975 blockbuster shark thriller Jaws. So much so, apparently, that he chose to spend his post-mortal coil eternity under a headstone in that film’s most indelible, terrifying image.  For you, Lester C. Madden, in the words of Jaws‘ old sea dog character Quint, “And so never more shall we see you again,” but we’ll enjoy your marker for a very, very long time.

Movie poster for the 1975 shark thriller "Jaws"

Movie poster for the 1975 shark thriller “Jaws”

UPDATE (3/2/2015): Mere days after this post was originally published, a suspiciously similar image appeared spray-painted on the wall of a Bloomfield garage.  Coincidence?

Graffiti on garage wall similar to the "Jaws" movie poster

Jaws graffiti, Bloomfield

UPDATE (5/3/2015): Even more new(ish) Jaws graffiti, this time wheat-pasted in Garfield.  What’s going on around here?

wheat paste graffiti of Jaws

Jaws III: Garfield