Behold the Hands of Holtz

Artist JR Holtz holding a painting of four women in bikinis

Artist J.R. Holtz with some of his sexy ladies

You may have run into J.R. Holtz just like we did (or do, quite often), out on the street. He sets up on Penn Avenue for the monthly Unblurred art crawls and every Saturday at the Artisan Market in the Strip District. At either location, you’ll find him camped out with an eight-foot folding table covered with dozens of his small- and medium-sized paintings. Each one comes in a repurposed picture frame–or even an entire wooden window–and they’re all for sale at extremely reasonable prices.

several small, framed paintings by artist JR Holtz

Holtz’ recent artwork for sale in the Strip District

J.R., who creates under the moniker Hands of Holtz, tells us he paints every day and he’s been at it since the mid-1980s. His subjects are all across the board: cartoon characters, superheroes, pop culture figures, nature images, family scenes, science fiction, and Pittsburgh sports. On our most recent visit, there were portraits of Prince, Jimi Hendrix, and Muhammed Ali; likenesses of Mighty Mouse, Captain America, and Wonder Woman. Several scenes from Star Wars made their way to Holtz’ glass panes, as had fad-du-jour Pokemon creatures.

painting of Prince in front of an open window with a purple sky and lightning by JR Holtz

Prince/purple lightning

2-color painting of Star Wars characters by JR Holtz

Star Wars

But let’s cut the crap: you’re going to notice the sexy ladies first. It’s hard to focus on Spider Man when there’s this much bare skin going around. Not since the glory days of Cinemax or those weird shaving cream ads they used to run during hockey games has there been semi-public soft-core erotica on display like this.

J.R. is the first to admit “I like the ladies!” and it’s safe to say he isn’t lying. There are strong warrior-princesses, tattooed big-boobed sports fans, tawdry hoochie-mamas, yoga posers with naughty underwear, and lots and lots of smiling, bikini babes–often with added glitter details and bonus Steeler emblems, just for good measure.

painting of woman wearing pink hat, gloves, boots, and skin-tight pants (but no shirt) bending over by JR Holtz

Pink Lady

Many of the images are taken from existing photographs, but Holtz says some of the ladies are friends who pose for pictures knowing they’ll be turned into future paintings. Individual requests and interests of the models are incorporated into the artwork, as are other extra bedazzled features including color-changing paints, glitterized jewelry, and inset photos.

I asked Holtz what the reaction is when unexpecting Saturday shoppers accidentally browse across the decidedly PG-13 content. “Some of them start walking real fast,” he chuckles.

Painting of man in 1970s clothes with caption "Back in the Day"

Back in the Day

J.R. describes his own artwork as novelty, and it’s tempting to overlook it as such. He paints directly on glass which gives the final images a glossy, finished look–almost like when you see framed “cels” from animation. The subject matter is as populist as it comes–you could imagine some of these pieces on sale in a turnpike gift shop. Matthew Barney or Damien Hirst, this ain’t.

But with the flat perspective, heavy black outlines, and single-color schemes, the end result reminds us of a different art superstar on the very other end of the spectrum, Howard Finster. Like Finster, Holtz’s style appears untrained or “naive”, but there’s a beautiful honesty to it–even when the subject is Jedi Master Yarael Poof*.

JR Holtz standing in front of his paintings for sale, Pittsburgh, PA

JR Holtz with more of his recent paintings, Strip District

Holtz is also one of the kindest and nicest artists you’ll meet. He wouldn’t ape for the camera, but don’t believe it–every time we’ve talked with him, J.R. is all smiles, high energy, positive vibes, and can’t wait to tell you about his work.

This blogger doesn’t know what he likes, but he knows art. We probably wouldn’t chose to decorate Chez Orbit with any of the beach babes–at least, we haven’t picked any of those up yet–but we especially love many of his portraits and simpler two-color work. When J.R. hits, it’s as serious as a heart attack and as true as an arrow.


* Not pictured, but among The Orbit‘s small collection of Holtzs.

Golden Babies: Strange Things Afoot!

golden baby and baby foot hanging from wires in front of row houses, Pittsburgh, PA

Dismembered foot of Penn Baby with Penn Baby 2, Lawrenceville

Regrettably, The Orbit had accepted the mystery around the Golden Babies–like the Kennedy assassination, or where real babies come from–would likely never be solved.

But then a tip of the reddest and hottest variety came in: “MAJOR new development in the golden babies,” it began. What followed was a pair of plot twists to this ongoing street art narrative that both flipped our collective wig and, like Michael Phelps waking from his doobie-smoking Subway bender, re-lit a fire underneath this blogger that fans had thought long extinguished in the purple haze of five dollar foot-longs.

golden baby and baby foot hanging from wires, Pittsburgh, PA

Golden baby has a leg up on other street art

Faster than you can say quasi-respectable news source we hoofed it up to Constellation Coffee. The café sits right where our first-sighted golden baby (“Penn Baby”) appeared. Here, we could confirm the tip–and also enjoy a delicious cup of coffee*.

The story, right from the baristas at Constellation, goes like this: one Sunday morning, a concerned citizen phoned in a complaint to the city. Apparently the golden baby, dangling by his ankle from the wires on the 4000 block of Penn Ave., was just too much. The substance of the concern is not known, but we’ll take a wild guess that the baby was deemed “offensive,” “creepy,” and/or “weird.” Fair enough, I suppose**.

Penn Avenue, Pittsburgh, PA with golden baby hanging from wires

View down Penn Ave. with golden baby and loose foot.

With nothing more substantive ablaze, the fire department was dispatched to remove the offending infant from the airspace over Penn Avenue. For whatever reason, they were unable to either undo the baby’s hanging wire or just cut it off, so the crew made the bizarre decision to instead saw through its tiny plastic leg. This allowed the removal of most of the kid, but left one stray golden foot, ankle, and calf dangling from the telephone wires.

Side note: This action begs a number of questions. Among them: Is leaving a disembodied leg really less offensive than the whole baby? and How is it that a street artist/prankster has a longer ladder than the fire department? and If I’m in the third floor of a burning building should I just accept fate and kiss my feet goodbye?

golden baby and baby leg dangling from wires, Pittsburgh, PA

Golden baby: foot loose and fancy free

Strange? Sure is! But what happened next will blow your mind! [That is, unless you’ve already looked at the pictures.]

In less than 48 hours, a brand new golden baby went up on the same stretch of wires–within mere feet of the foot. “Penn Baby 2” generally looks the same as the other golden babies, but with the key differences that s/he’s clothed in a red onesie (the others are white) and that garment appears to be stamped or silk-screened with some mystery insignia (the others are plain/unadorned).

close-up of golden baby in red onesie, Pittsburgh, PA

Penn Baby 2. Note the red onesie with cryptic insignia.

If blogging teaches us anything, it’s to not rest on one’s assumptions. The strange circumstances of Penn Babies 1 and 2 only prove that black is white, up is down, child is father to the man, and therefore, baby is, uh…older sibling to the child? Ah, hell.

This story is not over yet–no, not by a long shot. There’s one very important piece of evidence still in dispute–the whereabouts of the footless and foot-loose Penn Baby. Sources say it’s in the possession of Constellation Coffee–secured in a drawer right on the premises. But when the subject came up during The Orbit’s interrogation of the staff, the aforementioned “friendly” baristas clammed up tighter than a set of quad toms at a Sun Devils half-time show. Believe you me: their guilty eyes have got no rhythm.

What are they hiding? O.K., we think we know what they’re hiding, but why are they hiding it? You can bet we’ll get to the bottom of this…or at least to another cup of that delicious coffee.


* Constellation makes a damn good cup of coffee.
** If only a phone call could have the much more offensive Crocs stripped from the feet of our citizenry so easily.

Off the Rails: An Orbit Awakening in Boxcar Tagging

detail of boxcar with graffiti of puzzle piece reading "No sleep till Pittsburgh"

No sleep ’till Pittsburgh

What a pleasant surprise! To wake up to a subculture that’s been around forever[1] and yet somehow completely eluded any level of popular consciousness. At least, this blogger was totally ignorant of its existence until some time not too long ago.

Whether you pay attention or not, you’ve seen the big, spray-painted graffiti that either decorates or defiles freight trains, depending on one’s point-of-view. The same sort of multi-color highly-stylized calligraphs of tagger names and inside jokes that show up under bridges and the back sides of commercial buildings end up on the large steel canvases provided by Norfolk & Western and the Chessie System.

yellow boxcar with graffiti of a cartoon man smoking cigarette

Cash & Carry / Got head? / Sluto

But look a little closer–you usually have to get right up on the boxcars to see them[2]–and there’s a whole world of much more subtle human interaction with the trains. Here, there are small, simple line drawings, monikers, arch messages, and coded insignias, dates, and locations created (we assume) by an entirely different type of graffiti writer and likely intended for a very different audience.

Is this just street tagging on a different surface or is there something more going on here? Are these committed by train-hoppers, hobos, or just bored teenagers who live near train yards? Maybe the tags equate to an American form of trainspotting–more punk respectable and less trenchcoat nebbish?

detail of boxcar with graffiti of grave stone with message "The Ghouls"

The Ghouls

Almost always, the tags include three- or four-character numerical codes: 11/15 or 8/10 or 6/08, for example. We assume these are abbreviated month/year dates, but who knows? If so, apparently Y2K’s lesson in the need for full four-digit years doesn’t apply to these folks–they’re “future proof”.

It turns out that entire academic theses have been written on the subject. We haven’t read them (at least, not yet), so we certainly can’t answer these questions. But The Orbit likes to imagine the train cars become both the largest and most random of bottles to which these writers toss their messages to exchange whereabouts, news, and rail-riding one-upmanship in a very analog, low-tech manner.

yellow boxcar with graffiti of a mountain range

Retribalize, back to sea level / Lovely Spring / (unnamed)

Even in our extremely limited survey, one tag kept reappearing. In it, the sun is rising over a barren mountain, squiggly cloud gestures float in the sky, and the text Retribalize / adios – mutha is written in loose cursive over an arced train track/arrow. In each case, there’s an additional bonus message: Back to sea level or E.B. Creep – Co. or Wish you were here… A version of this particular scrawl showed up on so many cars that we didn’t even include all the photos of ones we found. A cruise around the Google machine proves this is no anomaly–the Retribalizer may or may not get around, but his or her tags sure do.

boxcar graffiti of mountain, sunrise, and train tracks with text "Retribalize, adios-mutha 10/5"

Retribalize, E.B. Creep

boxcar graffiti of mountain, sunrise, and train tracks with text "Retribalize, adios-mutha, wish you were here 6/08"

Retribalize, wish you were here…

boxcar graffiti of a jug with a hat and the message "Retribe's spot!"

The response: Retribe’s spot!

A final note: we have it on some decent authority that the Packaging Corporation of America, whose plant in the Strip District provided such convenient access to a weekly new supply of boxcars, is moving out of the city (to Cheswick). If that’s the case, and there are no longer any train cars on Railroad Street (sigh), that will definitely be a bummer. But we won’t stop collecting tags–we may just have to work a little harder to find them.

Until then, in the eloquent, bilingual words of Retribalize, adios – mutha”!

boxcar graffiti of old man with hat and text "here today, gone tomorrow"

Here today, gone tomorrow


[1] At least, around as long as hobos have been jumping trains.
[2] It goes without saying, be safe: make sure the trains are not in motion if and when you take a look.

Photo Grab Bag: Ghost Sign Roundup

ghost sign with layered text, McKeesport, PA

(unknown), McKeesport

Longtime readers know The Orbit is in the business of making dreams come true–and business is good. It was pointed out by super fan/sometime contributor Lee that probably a lot of folks don’t see the loose photos that end up on The Orbit‘s artsy dark and/or snarky narc pages and maybe we should roll them up into an actual blog post once in a while.

So here you go. Like Cheech and/or Chong, we’ve pulled out the gatefold copy of Fragile and are rounding up and rolling out a first collection of non-specific pictures from the last year or so. Here, they’re grouped on the pseudo-theme of ghost signs. Don’t inhale too deeply.

ghost sign/advertisement for Hipco Batteries, Pittsburgh, PA

Hipco Batteries, Manchester

It’s a bold claim, but the Hipco Batteries ad has to be the city’s greatest ghost sign. The incredible painted image has some classic “vernacular typography”, one giant old school No. 6 dry cell battery, and a sadistic, grinning red devil, his tongue wagging like a pervert from his open, fanged mouth. He’s very excited, with one hand reaching out, palm up, and the other employing a Hipwell flashlight to no doubt look for trouble in the dark.

This begs the question: do devils really need flashlights? Well, we know this one does. Unlike the subjects of every other photo in this post, the Hipwell Manufacturing Company, founded in 1887, amazingly still exists and continues to manufacture a line of flashlights (but no longer batteries) right in this big old brick building on West North Avenue[1].

ghost sign for former La Salle Electric, Pittsburgh, PA

La Salle Electric, Manchester

The pair of conjoined industrial buildings that once housed La Salle Electric, just off Brighton Road in Manchester, were torn down earlier this year. Now there’s just a re-grassed vacant lot where they used to be. Whatever prompted that action, it’s sad for a lot of reasons–mainly that we’ve got a limited supply of this kind of late 19th century industrial buildings out there and it’s a bummer to lose two of them in one fell swoop.

Here, we can only focus on the relatively minor loss of this great ghost sign, painted across the point where the two buildings met. You can see the red brick side appears to have shifted ever so slightly, distorting the alignment of the white background and breaking the A in “Salle”. And what a great pair of arrows! The office is that way, you can pick up your stuff on the other side. Ugh. I mean, the office used to be that way…

ghost sign for former Regent Sportswear Shop, Pittsburgh, PA

Regent Sportswear (and Wig Shop?), East Liberty

The rear entrance to the former Regent Sportswear Shop doesn’t have what we usually consider “ghost signs”, but still seems like it ought to count. Regent’s 3-D sign, the typeface in Wigs, and the multi-color blue/gray/white brick treatment all suggest a 1960s/70s makeover to a building that probably goes back to the very early 1900s. Somewhere out there is a person who bought a terrycloth track suit or tried on someone else’s hair at Regent’s and we sure hope this last reminder in the Kirkwood Street alley makes him or her feel something. Hopefully that feeling is not, you know, “itchy”.

ghost sign reading "Sal's Meats Since 1921", Ambridge, PA

Sal’s Meats, Ambridge

Sadly, Sal’s Meats, like most of the businesses in Ambridge, ain’t there any more. But at least we’ve still got this great ghost sign. Painted signs don’t get any graphically stronger than bold red text on a white background, painted fifteen feet across on a deep red brick wall. Sal’s Meats, since 1921. ‘Nuf sed.

ghost sign for former Penn Bowling Lanes, Pittsburgh, PA

Penn Bowling Lanes, Downtown

What a time when the downtown worker could bowl ten frames over a lunch break! This literal back alley entrance on Exchange Way (between Liberty and Penn, downtown) suggests the bowling may have taken place in the basement, but who knows? Heck, maybe those wooden lanes, pin-setters, ball returns, and beer taps are all still down there, covered in forty years of dust. Either way, we’re glad no one felt the need to paint over this incredible patchwork wall with its reminder of old Pittsburgh.

ghost sign for Dr. D.E. Earley, Optometrist, New Martinsville, W. Va.

Dr. D.E. Earley, Optometrist, New Martinsville, W. Va.

Last winter, we made a special stop for the mind-boggling buffet at Quinets Court in the fine little West Virginia town of New Martinsville (about 90 minutes from Pittsburgh–and well worth the trip)[2]. The inevitable post-gorge belt-loosening constitutional yielded some fine views of the Ohio River and a bunch of great little oddities in the four-block downtown stretch. This ghost sign for Dr. D.E. Earley, Optometrist looks like it could go back a hundred years. That’s a long time to wait to get your eyes examined and glasses fitted, but then again, you’ve got a steam tray full of Quinets cobbler two blocks away. I can think of worse ways to spend a century.

Former storefront for G's Restaurant and Pizzeria, Pittsburgh, PA

G’s Restaurant and Pizzeria, Downtown

Bathed in low winter sunlight, made awkwardly diffuse by scaffolding and construction fence, this photo of the former G’s Restaurant and Pizzeria on Forbes Ave. got shoehorned into an update story on the last remaining Toynbee Tile on Smithfield Street and the face of a rapidly changing downtown Pittsburgh. But we felt like there was a little more to say here.

G’s Restaurant, along with the former Honus Wagner Sports building next door, were razed earlier this year. Point Park University is building a big new performance arts building/theater on the property. This will no doubt be a great cultural asset, but The Orbit‘s going to miss this pair of early 1900s terra cotta storefronts, each with their own goofy mid-century add-ons.


[1] See article: In The Spotlight: Hipwell Manufacturing (Pittsburgh Post-Gazette, Nov. 10, 2002) for the full story.
[2] The Orbit actually needs to make the trip to Quinets again for a full review–or even if just for that eggplant parm, and the kielbasa and kraut, and the fried chicken, and the haluski, and the brown sugar sweet potatoes, and the butterscotch pie, and the…