Kirsten Ervin
Flo Flamingo has gone missing. Flavius Flamingo had nothing to do with it. Don’t worry, the South Side Sentries have it all under control.
Often the most vibrant and interesting public art exists undetected by the established art world or wider community. Instead, this is public art known and loved by a few neighbors and makers participating in its magic and upkeep.
You, Orbit Reader, have visited many of these places virtually with us—semi-hidden treasures like Pittsburgh’s Central Park and Remly Way. These special places aren’t exactly a secret, but they’re neither tourist destination nor commissioned public art.
Instead, these are environments created by dreamers who took the initiative to physically manifest their imaginations and insert them directly into their communities. Moving past the cultural gatekeepers, these artists forged ahead with their vision. These are art installations seeking community input, changing and evolving with the neighborhood around them.
Such a place is Delli Speers’ Fiber Art Fence on the South Side. Located along Wrights Way, a residential alley not far from the South Side Carnegie Library, this 80-foot-long chain link fence lies between a UPMC parking lot and a quiet row of 19th century brick row houses. Speers, a fiber artist who recently turned 87, has been yarn bombing this fence since 2007.
The fence is bedecked with all manner of fiber artifacts, many knitted by Speers, her neighbors, friends, and family members. A giant pink knitted face with yellow hair looks questioningly at the viewer, eyebrows raised. Knitted flowers in reds, oranges, and yellows dot the fence, as do large kaleidoscopic hula hoops from fiber artist Cheryl Hopper.
Speers, who lives across the street from the fence, asked Goodwill, her previous neighbor, to replace the old one some 15 years ago. “It was broken down and rusty and I had two little granddaughters and I was concerned it would fall and hurt them,” said Speers. “So I wrote a letter to the president of Goodwill asking them to build a new fence. I told them I would maintain the fence and the grounds in front of it.”
Eighteen months later, a new fence was built and Speers got to work. After asking Goodwill permission to hang art, she began with knitted plant hangers, fastened to the fence with zip ties. Soon, a set of family afghans were hung on the fence, musty from years of mothballs. These were first installed to air out, but left up as a kind of experiment to see what time and the elements would do to them. In fact, this environmental impact is what interests Speers the most about her outdoor art venture.
“For me it’s a process,” she says. “I’m really not as interested in the objects themselves, I want to see what the weather does to them, what the sun does to certain colors [of acrylic yarn]. The paddy green becomes a beautiful teal green, sometimes the pink turns into an orange.”
Speers, a longtime artist and weaver who attended art school at Pratt Institute in 1950s Brooklyn, encouraged other artist friends to take part. Pittsburgh-based fiber artists Donna Kearns, Judy Manion, and Cheryl Hopper have all contributed knitted and crocheted artwork to the fence over the years. All are members of the Fiber Arts Guild of Pittsburgh, which Speers connected with in 2012, after attending a knitting workshop at Contemporary Craft.
“I didn’t know I was yarn bombing,” says Speers, but she soon met artist Amanda Gross who organized the Guild’s impressive Knit the Bridge installation in downtown Pittsburgh in 2013. “When she found out about my fence, Amanda told me ‘you’re a yarn bomber.’ I had never heard the term.”
Speers describes a fence collaboration she did with artist friend Judy Manion of a giant knitted American flag. Manion created the flag with falling bars and stars in response to 9/11 and installed it on the fence in 2014. “The wind, the rain, and temperature changes started to do funny things to the flag, so I took it off and laid it on the deck and rearranged it.” The deteriorated and rearranged flag was entered into a juried art show. Speers then returned the flag to the fence, letting it decompose further. This later iteration was also exhibited professionally.
One of the major themes of the fiber fence is Speers’ sense of playfulness and humor, the sheer fun she has with this project. Fixtures of the fence have been Flo and Flavius Flamingo, two plastic pink flamingos that Speers knits outfits for, changing them with the seasons.
At one point Flo Flamingo was stolen, taken from the fence. Speers responded with a wry visual message. A coffin and knitted skeleton hand was tacked to the fence with the message Rest in Peace, Flo Flamingo, 2023. Someone Stole Her! A month later, Flo was back with the message Thank you for returning Flo! Now, a row of pod-shaped creatures with black hats and googly eyes stand guard over the flamingos. Above them a sign reads Presenting South Side Flamingo Sentries. Speers has expanded her reach to festoon the telephone poles and gas meters with whimsical knitted snakes and other creatures.
Speers welcomes contributions to the fence from others, especially from fiber artists and neighbors, but prefers people to reach out to her first. “I’m all for it,” she says, “I’m willing to take my stuff down” [to make room for new art]. “I have a lot of tchotchkes up there but mainly to fill up the fence and make it colorful. People like to walk their dogs down the street.”
There is no wrong way to see Wrights Way. It is a constantly evolving environment of beautiful, fun, and wacky invention—some of it bright and new; some of it experiencing the passage of time with all the sun-bleached, rain-soaked, and ice-cracked weathering Pittsburgh’s seasons will throw at it. Visit soon, visit later, while the sun is shining and when there’s snow on the ground—you’ll be glad you did.
Getting there: Delli Speers fiber fence is on Wrights Way, between 24th and 25th Streets, on the South Side. You can visit any time and if you’re looking for an excuse, the fence will be featured for the Doors Open event in the South Side on September 23.
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