Looking for a Lost Little Italy in Larimer

red, white, and green painted storefront for Henry Grasso, Co. Inc. Pittsburgh, PA

Last of the red, white, and green: Henry Grasso, Co. Inc., Larimer Ave.

There’s a scene early on in Striking Distance where police captain Nick Detillo (Dennis Farina in full cop mustache and salt-and-pepper wave) downplays his career aspirations. Asked by Bruce Willis’ Detective Tom Hardy if he’s bucking for advancement in the force, Detillo responds humbly, “Not me kid. I’m just a Larimer Avenue dago.” [Please pardon the ethnic slur. We’re quoting–and it’s important to the story.]

Writer, director, and Pittsburgh native Rowdy Herrington peppered the movie’s dialog and mise en scène with local references, so it’s no surprise the Italian-American Detillo clan gets fleshed-out with a nod to the old neighborhood. But why not choose one of the more obvious Little Italys–say, Bloomfield, Panther Hollow, or South Oakland?

movie still from "Striking Distance" with character Nick Detillo's line "Not me, kid. I'm just a Larimer Avenue dago."

Who’s the best cop? Dennis Farina as Capt. Nick Detillo in “Striking Distance”

In record geek terms, it’s a deep cut–one that Rowdy Herrington gets much respect for including.

Dennis Farina was born in Chicago in 1944. Like every other member of the Striking Distance cast, he made no attempt to replicate a Pittsburgh accent for the movie–but the dates line up. From the early part of the 20th Century until some time in the 1960s, Larimer was the Little Italy for Pittsburgh. A neighborhood with any random block holding a majority of Italian surnames; the location where The Italian Sons and Daughters of America was formed; an enclave hosting the Pittsburgh Italian Hospital. [Yes: that was thing–it’s now a vacant lot at the corner of Paulson and Maxwell.] It is entirely likely that the fictional Detillo family could have all grown up in Larimer.

The amateur anthropologists and wanna-be archeologists of Pittsburgh Orbit like any challenge that invites bicycle-based poking down alleys and remorseless nebbing into empty retail windows. We set out with the loose goal of seeing what–if any–traces of Detillo-era, Italian-American Larimer we could still find today.

detail from 1924 platte map showing two blocks of the Larimer neighborhood with a majority of property owners having Italian surnames

Larimer, 1924. Map detail of two blocks between Larimer Ave. and Ashley St., Mayflower and Meadow. [source: G.M. Hopkins Company Maps]

The short version: there ain’t much left.

By our count, there are exactly two extant businesses in the neighborhood that date from the old days. Henry Grasso’s Italian foods shop on Larimer Ave. (see photo, top) is still, as the sign says, original manufacturers of the Italian sausage and capicollo. Dressed for the part in the red, white, and green colors of the Italian flag, Grasso’s is the picture of an old American neighborhood butcher/grocer you’ll see few other places.

On the other side of the neighborhood, Stagno’s Bakery no longer staffs their retail storefront, and the corner of Auburn and Lowell suffers for it. But they’re very much still baking up Italian bread in their two big cinderblock buildings. You’ll find the product on bakery shelves and restaurant bread baskets all over the city. [Side note: one of Stagno’s old blue delivery vans even gets a cameo in the Striking Distance chase scene. Coincidence?]

run down exterior of former retail shop for Stagno's Bakery, Pittsburgh, PA

Still making bread…just not selling retail. Stagno’s Bakery, Auburn Street.

The former Our Lady Help of Christians still stands on the corner of Meadow and Turrett Streets. With its attached school building, the massive Roman-Catholic church basically takes up an entire city block and reaches four or five stories into the sky.

Built in 1897 (rebuilt 1905), Our Lady Help is a crumbling beauty. The multiple copper domes remain, gleaming in even the dappled sunlight of last weekend, but since the church closed in 1992, a crew has clearly gone through and stripped anything of value. The stained glass, statuary, and thick oak doors are all gone, replaced with temporary protective plywood. Ivy climbs the exterior walls and weeds have breached the joints in the stone front stairs. Perhaps inevitable, a blue condemned notice is stapled to the front door. Sigh.

view of 1905 Our Lady Help of Christians Roman-Catholic church, now abandoned and condemned, Pittsburgh, PA

(former) Our Lady Help of Christians Roman-Catholic Church, Meadow Street

The Catholic Diocese of Pittsburgh’s page on Our Lady Help details the deep Italian roots of the church:

Our Lady Help of Christians was established in 1898 as an Italian parish. The origin of the parish can be traced to the rise of immigrants from Italy in the late nineteenth century.  In 1895 the Italian Franciscan Fathers were invited to come to Pittsburgh. They took charge of the Italian parish in the Hill District, St. Peter. In 1894, the Italian residents of the East Liberty area petitioned the bishop for permission to form their own parish. This petition was denied. To meet the needs of the East Liberty Italians, the pastor of St. Peter began visiting the area to celebrate Mass.  The first Mass for Italians celebrated in East Liberty took place in February of 1895 in the school hall of Ss. Peter and Paul parish. From that point, a Mass was celebrated almost monthly for the Italians.

There are a lot of reasons why (local) Catholic churches are having a hard time. Overall, Pittsburgh has lost half its population and people just don’t attend mass like they did in the old days. And then there’s the whole, horrific priest sex abuse (and cover-up) business.

But when a entire congregation this large relocates to the suburbs of Penn Hills and Plum, Forest Hills and Churchill, the Latin scripture reads pretty clear on the old plaster walls.

painted sign for Fiore's Home Dressed Meats on brick wall, Pittsburgh, PA

Ghost sign for former Fiore’s Home Dressed Meats (now State Senator Ferlo’s local office), Larimer Ave.

Beyond this handful of obvious touchstones, we’re really left grasping at straws.

Vacant lots outnumber buildings on Larimer Avenue today, but there are may be a dozen surviving retail storefronts on the old main drag. One of these features a ghost sign for Fiore’s Home Dressed Meats, but that’s really the only clue to what any of the businesses in these pre-war two- and three-story brick buildings once were.

While there’s still plenty of open space in the neighborhood, Larimer’s housing has fared better overall than its commercial structures. There is a particular type of after-market tin-slatted porch and window awning you see all over Pittsburgh (and elsewhere)–we imagine some door-to-door salesman made a killing hawking these in the 1950s.

There’s no way to prove this, but anecdotal evidence points to the popularity of red-and-white (and to a lesser extent, green-and-white) color combos in certain locales. There are still a bunch of these Italian-colored tin awnings throughout Larimer. [Note: You don’t have to tell this blogger–you want us to cry over tin awnings? No: but it’s all I got.]

small house with tin awning and green paint, Pittsburgh, PA

It’s a stretch, but the red-and-white awning with a green paint job look familiar. [Bonus points for the pair of old-school aerial antennas!]

Oh, and what about Mary? Every old Catholic neighborhood worth its rosaries has a couple dozen houses sporting ceramic statuettes of The Blessed Virgin doing her palms-out thing on the front lawn or nestled up against the porch. There are even more Marys relaxing in people’s back yards–but it’s harder to get the invitation to visit up close.

I’m telling you, the Orbitmobile criss-crossed Larimer a dozen times, rolling down every street and just about every alleyway coming and going. In those rides, we spotted exactly one extant front yard Mary outside a unique frame house that appears to at one time have been a pair of separate, conjoined buildings.

older wooden house with statue of Mary by the front porch, Pittsburgh, PA

Possibly the last front yard Mary in Larimer?

That home, on a short dead-end of the aptly named Orphan Street, is at a little horn-shaped peninsula forming the very northeast corner of Larimer. In front of the house, the steep drop-off down to Washington Blvd.; behind, dense greenery all the way over to Highland Park.

We don’t know who lives here–if they’re black or white, hard core Catholic or just enjoy a quirky lawn ornament–but this little icon living on the most precarious of properties feels very much like the last representative of a disappeared people.

Times and places change, people move on–these are unalterable truths. But it’s comforting to think that if Nick Detillo were to make it back to the old neighborhood today, he could still get a pound of capicollo from Henry Grosso and still say a prayer to Mary.

Take Bigelow! “Striking Distance,” 25 Years Later, Part 2: The Chase Scene Then & Now

scene from the film "Striking Distance" of a city bus colliding with a beer truck

Some things never change: PAT bus into loose-packed Iron City Beer wagon

If you’ve lived in Pittsburgh for any recent amount of time–say, the last ten years, maybe just five would do it–the rate of change can seem extraordinary. Entire neighborhoods–East Liberty, Lawrenceville, The Strip District, to name the most obvious examples–have been radically transformed, downtown has a couple new skyscrapers, rents and home prices are finally starting to match other metro areas, gone are one-dollar beers and big red sauce Italian joints. So it can be comforting to us old-timers when we’re reminded that not everything is changing quite so fast.

As 2017 rolled-over to 2018, we got the idea to honor the 25th anniversary of Striking Distance–the Pittsburgh-set police action film that spawned an unexpected local meme. [For more on this, see last week’s Part 1 of the story.] The idea was to take the opening high-speed car chase through the city, find all the actual filming locations, and then take a look at how they appear today, 26 years later. [The movie was actually shot over the summer of 1992.]

If you haven’t seen that epic chase–or even if it’s just been a while–rectify that now, in the original French. See what you recognize and what you don’t. And if you really want a challenge, try to name the main filming locations–they’re (almost) all right in town. Bigelow Boulevard is, of course, a “gimme,” and you shouldn’t have any problem with the downtown shots, but after that it gets a little trickier.

Ladies and gentlemen, the Striking Distance chase scene, then and now:

scene from the film "Striking Distance" of residential street in Pittsburgh, PA

Mount Troy Road, Troy Hill, 1992

empty street with distant view to downtown Pittsburgh, PA

Mount Troy Road, Troy Hill, 2018

For the opening of the sequence, father and son cops Vince and Tom Hardy head out in full dress regalia toward the Policeman’s Ball, presumably at the Point (based on the “two years later” setting elsewhere in the film). The locations team could’t have picked a more Pittsburgh scene, replete with cross-river views, the downtown skyline, and a short barrier wall before a steep drop-off. Not that it matters, but Troy Hill/Reserve Township even seems like a believable cop neighborhood.

Almost nothing in this particular panorama has changed in the last 26 years. There are more wires on the telephone poles as high-speed Internet arrived in the between-time and the trees have definitely been allowed to grow up, but that’s about it. Downtown does have some new features to its skyline (we’ll get to those in a bit)–but you can’t really see them from this angle.

scene from the film "Striking Distance" of residential street in Pittsburgh, PA

Ridgway Street, Hill District, 1992

two-lane hillside road with house, Pittsburgh, PA

Ridgway Street, Hill District, 2018

There is no possible way to take Bigelow from Troy Hill, so the Hardys are magically transported across the Allegheny to Ridgway Steet, at the far eastern/upper end of the Hill District, for their careening entry to that fabled cross-city byway.

Just like we saw on Mt. Troy Road, the tiny starter saplings on Ridgway in 1992 have grown to legit shade-producing coverage today–in fact, we couldn’t even get the same angle as the Striking Distance shot because we’d be buried in shrubbery–chalk one up for Mother Nature! Other than that, we can see the city replaced the old wooden street light pole and the homeowner appears to have had some porch work done. No idea what happened to the Silverado in the driveway.

scene from the film "Striking Distance" of busy street intersection in Pittsburgh, PA

Bigelow Blvd. at Bloomfield Bridge, 1992

empty street intersection with large building, Pittsburgh, PA

Bigelow Blvd. at Bloomfield Bridge, 2018

Striking Distance filming closed a pretty major east-west artery for the Hardys’ high-speed pursuit of The Polish Hill Strangler and the crew made the most of the opportunity. The approximately half-mile stretch of Bigelow from the the Bloomfield Bridge to the intersection at Herron is run backwards and forwards, crossing lanes and milking busy intersections. The movie viewer is rewarded with a lot of quick-cut chances to see the road and its pedestrian overpasses.

The biggest change here is the old Geyer Printing building, which was sold and converted into a self-storage place a while back. Gone are the big G-E-Y-E-R letters on the roof and instead we’ve got the imagery of self-storage plastered over the former windows. The whole intersection got a heavy-duty resurfacing (in cement) a few years back and still looks like it’s brand new.

Side note: I wanted to bag one of those Stagno’s Bakery trucks in the wild, but couldn’t actually find one now that I was looking. Sigh.

scene from the film "Striking Distance" of alley in downtown Pittsburgh, PA

Strawberry Way, Downtown, 1992

alley turned pedestrian way in downtown Pittsburgh, PA

“That’s my boy!” said our model Walter Lee Robinson on recognizing Bruce Willis in the YouTube clip I showed him. Strawberry Way, Downtown, 2018

OK, now we’re getting to the good stuff. Little Strawberry Way, the single-lane alley that runs parallel between Sixth and Seventh Streets, Downtown, has had perhaps the most dramatic makeover of our locations.

Starting maybe ten years ago, the long, lower block of Strawberry between Smithfield and Liberty started getting dressed up with temporary art installations. More recently, the city went all-in on Strawberry’s conversion from car-friendly alley to pedestrian hang-out zone. Currently, there are two blocks entirely closed-off to traffic, including the short stretch from Grant to William Penn Place where the Hardys dash down in a shortcut to intercept The Strangler on William Penn Place. These are nicely appointed with colorful street painting, tables and chairs, potted plants, and special lighted signage.

scene from the film "Striking Distance" of downtown street in Pittsburgh, PA

Cherry Way, Downtown, 1992

city street in downtown Pittsburgh, PA

Cherry Way, Downtown, 2018

Starting to sound like a broken record (1993)/streaming audio loop (2018), but the 400 block of Cherry Way, Downtown looks pretty much the same as it did when Pittsburgh’s finest chased that ’89 Ford. Based on the green lights in both lanes, we assume traffic was still one-way (the other direction) in 1992 which would have made this a difficult escape route for the Strangler.

What’s changed the most in this scene is a building you feel more than see. Kaufmann’s–Pittsburgh’s original, longest-standing downtown department store–was still open and operating by that name in the 1990s. I know–I bought business casual khakis there. The building still straddles little Cherry Way, forming a tunnel the filmmakers shot through for the chase scene. The downtown Kaufmann’s would be rebranded to a Macy’s in 2006 and then closed for good in 2015[1]. Currently, the elegant, 12-story building is undergoing renovation to become fancy apartments.

scene from the film "Striking Distance" of Armstrong Tunnel, Pittsburgh, PA

Armstrong Tunnel, Uptown, 1992

interior of Armstrong Tunnel, Pittsburgh, PA

Armstrong Tunnel, Uptown, 2018

You’re thinking, what could possibly have changed in the Armstrong Tunnel? The answer, it turns out, is more than you’d expect. First off, the tile work looked a lot better in 1992–so much better we wonder if it had recently gotten a rehab treatment. Today, there are big chunks of the white ceramic that have separated and disappeared, leaving a pock-marked, water- and oil-stained surface throughout.

More interesting, though, is the tunnel’s apparent change from a two-way, bi-directional route (note the double yellow line in the earlier picture) to its current configuration with separate, dedicated inbound and outbound tubes. We have to wonder what was happening with the other tunnel in ’92. Maybe it was just a temporary closure to fix up the tiles? Who knows!

scene from the film "Striking Distance" of police car exiting fire-filled tunnel in Pittsburgh, PA

Armstrong Tunnel entrance, Uptown, 1992

exterior of Armstrong Tunnel with rising highway structure above, Pittsburgh, PA

Armstrong Tunnel entrance, Uptown, 2018

You’ll be happy to know the fire in the Armstrong Tunnel was safely put out some time in the last couple decades, making the daring dash through burning police cruiser wreckage no longer required in passage from Forbes to Second Ave.

Fire or not, Steelers fans will remember this south end of the tunnel as the dangerous intersection where Ben “Why would I wear a helmet? I’m not playing football.” Roethlisberger almost ended both his life and career in a motorcycle accident in 2006. Like all the principal characters in Striking Distance (but not all the extra roles!) he made it out alive.

scene from the film "Striking Distance" of downtown street and bridge in Pittsburgh, PA

Smithfield Street and Smithfield Street Bridge, Downtown, 1992

empty street in downtown Pittsburgh

Smithfield Street and Smithfield Street Bridge, Downtown, 2018

This is another one where the real action is just out of the frame. On the near side, Point Park University continues to expand, gobbling up, restoring, and repurposing much of “First Side” downtown as it goes. Had the filmmakers chosen almost any other block in the area, we’d have a more obvious contrast.

On the other side of these buildings, every cyclist will tell you Smithfield Street Bridge is the gateway to South Side bicycle-riding as the easiest, farthest, western-most entrance to the Great Allegheny Passage bicycle trail (which goes from here all the way to Washington, D.C.). The town end of the bridge also has a semi-new dedicated bicycle passage to connect cyclists to the Jail Trail and a brand new switchback ramp from the bridge will take you down to The Mon Wharf and Point State Park, traffic-free. [That opens…next month?] … but you can’t see any of that in this picture.

scene from the film "Striking Distance" of Smithfield Street Bridge in Pittsburgh, PA

Smithfield Street Bridge, 1992

ornate iron entryway to Smithfield Street Bridge, Pittsburgh, PA

Smithfield Street Bridge, 2018

The Smithfield Street Bridge, a “lenticular truss bridge,” completed in 1883 and designed by Gustav Lindenthal[2] is certainly one of the city’s most iconic crossings. The castle-like porticos on either end and gorgeous sine wave interlocking curves are about as perfect and classic as one could hope for from such a structure.

By the time this blogger arrived in Pittsburgh–just a few years after Striking Distance–the Smithfield Street Bridge had undergone a massive rehab including a new paint job of yellow-gold on the entrance ways and deep blue for the curving truss sections.

But back in 1992, the bridge was still a dingy steel gray with a tree apparently growing out of the lane separator on the south end. It also had two-way car traffic on one half and train track on the other [see previous then photo]. Today, the re-do colors remain, but they’re faded, rusted, and graffiti-scarred; the tree is gone. It may be about time for yet another paint job on this old beauty.

scene from the film "Striking Distance" of city streets in Pittsburgh, PA

Intersection of Carson and Arlington, Southside, 1992

Intersection of Carson and Arlington streets, Pittsburgh, PA

Intersection of Carson and Arlington, Southside, 2018 [Note the bonus Class A Steelermobile!]

Pittsburgh’s modern light rail line (“The T”) was set up in the 1980s. Though largely running on vestigial trolley tracks through the South Hills, the newer, elevated stretch of rail connecting to the Panhandle Bridge remains the dominant presence at the intersection of Carson and Arlington on the Southside as it did in the early ’90s.

You’ll notice the same deep blue paint job the Smithfield Street Bridge received and an addition of one clearance height warning sign, but that’s all we’ve got here.

scene from the film "Striking Distance" of police car standoff in Pittsburgh, PA

Second Ave., Downtown, 1992

empty street with girders for raised highway, downtown Pittsburgh, PA

Second Ave., Downtown, 2018

A little tip for budding action movie makers: if you want to set your picture in gritty, urban America, make sure you’ve got an elevated highway and/or train line to film under. Pittsburgh has plenty of bridges, but the double-decker effect of Boulevard of the Allies rising over Second Avenue, Downtown, really only happens for a few blocks in this one location. Striking Distance writer/director (and Pittsburgh native) Rowdy Herrington wasn’t going to miss out on it.

The cagey quality of 1920s-era steel girders with its heavy shadows and rumble from auto traffic above makes this space still feel like an action set–even on a quiet, sunny, Sunday morning. The steel beams appear to have been newly-painted, parking rates have gone up, and the bail bondsman (just out-of-frame) is open for business 24-hours.

scene from the film "Striking Distance" of car on street in front of downtown Pittsburgh, PA skyline

P.J. McArdle Roadway and downtown skyline, Mt. Washington, 1992

Pittsburgh city skyline as seen from Mt. Washington

P.J. McArdle Roadway and downtown skyline, Mt. Washington, 2018

Of course The Polish Hill Strangler would take P.J. McArdle Roadway up to very-accessible Grandview Avenue in his escape route! Mount Washington’s cobblestone streets, hairpin turns, and limited egress points are exactly what any clever criminal who “drive’s like a cop” would opt for. Regardless of the plot logic of this particular route, it leaves us with some great views of the Pittsburgh skyline…and that’s probably what Rowdy Herrington was really after.

The main difference today is that downtown Pittsburgh has been in a major construction boom for the last decade or so and it’s left us with two big additions to the skyline. The 23-story Three PNC Plaza and the 33-story Tower at PNC Plaza were completed in 2009 and 2015, respectively. Both are now clearly visible [and blocking the view of Gulf Tower!] from Grandview Ave.

scene from the film "Striking Distance" of residential street in Pittsburgh, PA

Grandview Ave., Mt. Washington, 1992

street with large church and city view in PIttsburgh, PA

Grandview Ave., Mt. Washington, 2018

The lovely St. Mary of the Mount Catholic church still holds court at its prominent spot on Grandview Ave., its parishioners getting a glorious view of downtown Pittsburgh as they step out the big, oak front doors. We set up for our photo on the grassy lawn of St. Mary’s school next door, just like Herrington and the gang did back in the day–only, Orbit budget wouldn’t pony up for the crane shot and long lens. Regardless, it’s obvious the biggest difference from here is not what’s happening on Mt. Washington, but instead, what you can see across the river.

The so-called North Shore has had a dramatic–almost wholesale–re-envisioning since the late 1990s. Still visible in the Striking Distance scene is Three Rivers Stadium and the acres of surface-level parking surrounding it. The hallowed home to Steelers and Pirates world championships was imploded in 2001 after construction of separate dedicated venues for football and baseball had been built in the same approximate area. Our present-day shot doesn’t have the detail to show you those sportatoriums–but trust me: they’re there–as are the casino complex, Stage AE, and various other new infill.

scene from the film "Striking Distance" of residential street in Duquesne, PA

Center Street, Duquesne, 1992

steep Belgian block residential street in Duquesne, PA

Center Street, Duquesne, 2018

The holy grail of chase scene locations! Where is this camel back cobblestone road that launches all vehicles–from a toddler’s tricycle to a chain of police cruisers–off the street and into the air?

This one really pushed The Orbit’s research team. The only clue was the visible Oak St sign in the original clip, but it clearly wasn’t any of the Oak Streets Google Maps had to offer for Pittsburgh. IMDB listed some additonal filming locations, including both Monessen and Monongahela, but it was obvious none of those was the right place, either.

Never underestimate the combination of intuition, dumb luck, and Google Street View. We were finally able to ID the venue as Center Street in Duquesne. Center is still paved with the same hundred-year-old Belgian block, but it’s the terraced layout that really invites drama. The road flattens at each point where there’s a cross street or alley, giving it the feeling of a ramp with landings.

Now, I walked the four- or five-block length of Center Street, and while it is steep, no vehicles are leaping into the air all on their own–even going way over the speed limit. Herrington’s stunt coordinators must have installed extra jumps at each stage to launch the chase party so dramatically in the air, because that’s just not happening naturally. But then again, not happening naturally would describe how most screenings of Striking Distance take place.


[1] Source: https://en.wikipedia.org/wiki/Kaufmann’s
[2] Source: https://en.wikipedia.org/wiki/Smithfield_Street_Bridge

Take Bigelow! “Striking Distance,” 25 Years Later, Part 1: The Scene, The Meme, The Dream

illustration of scene from 1993 film "Striking Distance" with Lt. Vince Hardy (John Mahoney) and Det. Tom Hardy (Bruce Willis) in police car

“Take Bigelow.” Lt. Vince Hardy (John Mahoney) and Det. Tom Hardy (Bruce Willis) in hot pursuit of The Polish Hill Strangler. [illustration: Mario Zucca]

Let’s get something straight: Striking Distance is not a perfect movie. No, the 1993 police drama/action romp has a plot that’s a muddled mess. There’s the hunt for a serial killer, a cop drama, revenge-on-betrayal subplot, and “five generations of police” honor tale–some of them Italian, some Irish, but they’re all family…it’s confusing.

All that would be fine, but there are logical problems big enough to drive a twin-engine Chris Craft through with the river running way above flood stage. In the effort to avoid spoiling the film for anyone who hasn’t seen it yet [and despite everything we’ll say here, we do recommend you see the movie at least once], we’ll not go into all the details–but there are some really important plot points that just don’t make any sense at all.

In a vintage segment from their eponymous movie review show, Gene Siskel sums up Striking Distance as “The kind of warmed-over, generic action picture that really seems tired.” Roger Ebert responds to the narrative inconsistencies by saying “This movie is really stupid because it isn’t even smart enough to answer the obvious questions the audience will have,” and “I didn’t care, because I didn’t believe it.” Ouch!

illustration of scene from "Striking Distance" with Robert Pastorelli as Det. Jimmy Detillo pointing and laughing

Q: “Who’s the best cop now?” A: No one in this movie! Robert Pastorelli as Det. Jimmy Detillo. [illustration: Mario Zucca]

And then there’s Bruce Willis. Still coasting on the first two Die Hard blockbusters, the action star arrived on set armed with the same cocky smirk and dumb one-liners John McClane wore out at the Nakatomi building–only this time, they come with an obvious lack of investment.

In theory, Willis is the film’s protagonist–both hunting-for and targeted-by the unseen strangler after suffering devastating personal and professional losses. Even so, the audience finds itself praying some combination of bent cops, river bandits, and serial killers will find a way to silence his wise-cracking and misogyny before they have to white-knuckle it through another inevitable love scene.

illustration from the 1993 movie "Striking Distance" of woman gagged and laying on her side with a toy police car in foreground

A bound victim of The Polish Hill Stranger [illustration: Mario Zucca]

In a pair of the genre’s great clichés, The Polish Hill Strangler terrifies the women he’s abducted by driving a remote control police car into their bound bodies and taunts authorities by playing a cassette recording of Sam the Sham & The Pharoahs’ “Little Red Riding Hood” over the telephone. A man was imprisoned for the crimes after questionable witness testimony and a recanted confession, but hard-nosed detective John Hardy (Willis) isn’t buying it.

Sarah Jessica Parker comes aboard (literally–the setting turns to river rescue after Hardy’s demotion from the force) as by-the-book rookie Jo Christman partnered to Willis’ grisled, alcoholic, chauvinist veteran. Of course she’s helpless against his…charms (?) and two end up in the bed on his house boat by the end of her first week on the job. Girl, you can do better! Needless to say, the film fails The Bechdel Test in all possible ways.

scene from "Striking Distance" with Bruce Willis and Sarah Jessica Parker talking in bed

No rug needed. Partners Hardy and Christman working the Polish Hill Strangler case. [Note that Hardy has the only copy of “Yachting” magazine in Allegheny County.]

So why do we care about a B-grade genre movie from a generation ago?

Writer-director Rowdy Herrington is a Pittsburgh native who clearly parlayed the success of his Razzie-nominated work on Road House (1989) into a pet project, set in his hometown, and stocked with some significant star power. In addition to Willis and Parker, you’ll recognize character actors Dennis Farina, Tom Sizemore, Robert Pastorelli, etc. as members of the extended Hardy/Detillo clan.

Say what you want about Striking Distance, but the filmmakers didn’t skimp on the Pittsburgh. The local references come early and often–street and neighborhood names; police badges and Pirates gear; great-looking location shots up the hills, down on the water, and wrapped around bridges, locks, and heavy industry. Sally Wiggin and Ken Rice make cameos, playing 1993 versions of themselves anchoring local newscasts.

It’s a shame not a single actor attempts a Pittsburgh accent–which makes the film sound like it was set in Weehawken or Long Island City–but I imagine it would take more industry clout than Rowdy Herrington ever wielded to get Bruce Willis to consult with a dialogue coach.

scene from "Striking Distance" as two characters race on foot at factory

Pittsburgh at its Pittsburghiest. Scene from “Striking Distance” (1993).

If you forget about all those pesky plot issues, relax your standards on “acting,” and acknowledge that you–just like Roger Ebert–don’t care about or believe any of the characters, Striking Distance is a pretty fun popcorn movie. There’s a couple fast-paced boat chases, the pirate takeover of a tugboat shoving a full load of coal barges upriver [hey–it could happen!], high-tension when The Strangler strikes, and raw testosterone when cops and family collide.

It’s the opening car chase, though–a high-speed, cross-city, explosions-and-acrobatics pursuit of an unidentified suspect in an ’89 Ford–that really kicks the film into high gear right out of the gate. Herrington’s mise en scène is nowhere better dealt than in the Hardys’ casual descent down a couple of classic Pittsburgh hillsides–the city playing its own glorious self laid out before the views from Troy Hill.

illustration based on the 1993 movie "Striking Distance" with two cars racing down a dark road

“He drives like a cop.” One of two loose hubcaps in the high-octane opening chase scene. [illustration: Mario Zucca]

As the chase jumps into high gear, Herrington makes sure everyone in the audience gets a good look at his hometown. It’s a what’s-what–or maybe where’s-where–of spectacular Pittsburgh: tight downtown alleys, the elegant Smithfield Street Bridge and Armstrong Tunnel, hairpin hillside turns, and birds-eye views from Mount Washington.

John Mahoney, as Tom Hardy’s police lieutenant father Vince, utters the offhand “Take Bigelow”–a throwaway line that would absurdly launch its own local micro-phenomena, spawning a meme that seems to gather more energy with each passing year.

black t-shirt with text "TAKE BIGELOW"

“Take Bigelow” t-shirt from Commonweath Press

The car chase was going to be the subject of today’s story, but we just had too much to blather on about–that, and we came across a fantastic original illustration based on the movie by artist Mario Zucca (“Take Bigelow,” top). On asking Mr. Zucca for permission to include the drawing for this story, he not only granted us that favor, but produced another series of pieces from the archive done for a (one-time) planned full illustration of the film. Some of those are included here.

Zucca describes himself as “having a pretty serious obsession with [Striking Distance] back in the day,” [we believe you!] who could at one time quote the movie line-for-line. Many thanks to Mario for allowing Pittsburgh Orbit to publish his original illustrations here. Check out more of his work at mariozucca.com.

detail of "Striking Distance" DVD case with "Take Bigelow" word balloon taped onto outside

fan-altered library copy of the “Striking Distance” DVD case

Next week: Like Capt. Nick Detillo’s old Italian saying, we’re not going to scald our tongues on another man’s soup. Enough with the appetizer–bring on the meal! The Orbit has got a fun now-and-then retracing of locations from Striking Distance that will have you tearing across bridges, hopping the hillside cobblestones, and yes, taking Bigelow. Read all about it in Part 2.

screen capture from the film "Striking Distance" of actor John Mahoney as police officer riding in passenger seat of car

John Mahoney as Lt. Vince Hardy in “Striking Distance,” (1993).


Errata: An earlier version of this story mistakenly credited local TV news personalities “Ken Burns” and “Sally Wiggins” with cameos in the film. We were corrected by alert Orbit readers that it is actually Ken Rice and Sally Wiggin who appear in Striking Distance. We regret the errors and will tar-and-feather our fact-checkers.